The names of five or six comic dramatists are known, who fill the space of eighteen years between the death of Plautus and the representation of the earliest play of Terence, the 'Andria.' From one of these, Aquilius, some verses are quoted, which Varro did not hesitate to attribute to Plautus, and which Gellius characterises as 'Plautinissimi.' They are the words of a parasite, complaining of the invention of sun-dials as inconveniently retarding the dinner hour. Among these writers the most famous was Caecilius Statius, an Insubrian Gaul, first a slave, and afterwards a freedman of a member of the Caecilian house. He is said to have lived on terms of great intimacy with Ennius. His poetic career very nearly coincides with that of the epic and tragic poet, and he only survived him by one year. Some Roman critics ranked him above even Plautus as a comic poet. The line of Horace-- Vincere Caecilius gravitate, Terentius arte-- probably indicates the ground of their preference. He is said also to have been careful in the construction of his plots[1]. Cicero, who often quotes from him, speaks of him as having written a bad style[2]. He is also mentioned among those poets who 'powerfully moved the feelings.' He composed about forty plays. Most of them had Greek titles, and a considerable number of these are identical with the titles of comedies by Menander. Two of the longest of his fragments express with more bitterness and less humour the feelings which husbands in Plautus entertain towards their wives. In one of these passages he has adapted his Greek original to the coarser Roman taste with even less fastidiousness than Plautus generally shows[3]. Another passage, from the Synephebi, is more in the spirit of Terence than of Plautus. It is one in which a young lover complains that the 'good nature' (commoditas) of his father made it impossible to cheat him with an easy conscience. Occasionally we find specimens of those short maxims which probably led the Augustan critics to attribute to him the character of _gravitas_, such as the Serit arbores quae alteri saeclo prosint, quoted by Cicero in the Tusculan Questions, and this line-- Saepe est etiam sub palliolo sordido sapientia. He seems to have had nothing of the creative originality of Plautus, nor ever to have enjoyed the same general popularity. He prepared the way for Terence by a more careful conformity to his Greek models than his predecessor had shown, and, apparently, by introducing a more serious and sentimental vein into his representations of life.