The Roman Poets of the Republic, 3rd editionSellar, W. Y. (William Young)
History
The Roman Poets of the Republic, 3rd edition
Sellar, W. Y. (William Young)
Latin poetry -- History and criticism
With Terence Roman literature enters on a new stage of its
development. When he appeared, a younger generation had grown up, who
not only inherited the enthusiasm for Greek art and letters of the
older generation,--of men of the stamp of the elder Scipio, Aemilius
Paulus, T. Quintius Flamininus,--but who had been carefully
educated from their boyhood in Greek accomplishments. The leading
representative of this younger generation, Scipio Aemilianus, was
about the same age as Terence, and admitted him to his intimacy; thus
showing in his early youth the same enlightened and tolerant spirit
and the same cultivated aspiration which made him choose Panaetius and
Polybius as the associates of his manhood, and induced him to live in
relations of frank unreserve with Lucilius during the latter years
of his life. Among the members of the Scipionic circle, Laelius and
Furius Philo were also closely associated with Terence; and he is said
to have enjoyed the favour of older men of distinction and culture,
Sulpicius Gallus, Q. Fabius Labeo, and M. Popillius, men of consular
rank and of literary and poetic accomplishment[4]. In the interval
between Plautus and Terence, the great gap which was never again to be
bridged over had been made between the mass of the people and a small
educated class. While the former became less capable of intellectual
pleasure, and were beginning to prefer the exhibitions of boxers,
rope-dancers, and gladiators[5], to the comedies which had delighted
their fathers, the latter became more exacting than the men of a
former generation, in their demands for correctness and elegance. They
had acquired through education the fastidiousness of men of culture,
a quality not easily gained and retained without some sacrifice
of native force and popular sympathies. Recognising the immense
superiority of the Greek originals in literature to the rude Roman
copies, they believed that the best way to create a national Latin
literature was to deviate as little as possible, in spirit, form, and
substance, from the works of Greek genius. But though cosmopolitan,
or rather purely Greek, in their literary tastes, they were thoroughly
patriotic in devotion to their country's interests. They cherished
their native language as the great instrument of social and political
life; and they recognised the influence which a cultivated literature
might have in rendering that instrument finer and more flexible than
natural use had made it. By concentrating attention on form and style,
without aiming at originality of invention, Latin literature might
become a truer medium of Greek culture, and might, at the same time,
impart a finer edge and temper to the rude ore of Latin speech.
Public-domain text, read in full here on John Shaqi.
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