The Roman Poets of the Republic, 3rd editionSellar, W. Y. (William Young)
History
The Roman Poets of the Republic, 3rd edition
Sellar, W. Y. (William Young)
Latin poetry -- History and criticism
Gnatho is a new and more subtly conceived type of the parasite, and
in Thraso the 'Miles Gloriosus' does not transcend the limits of
credibility. Parmeno and Phaedria are natural embodiments of the
confidential slave and the weak lover. Their relations to one another
are brought out with more delicate irony and finer psychological
analysis, though with less vigour than those of Pseudolus and
Calidorus, or of Ludus and Pistoclerus in the Pseudolus and Bacchides
of Plautus. The Davus, Geta, and Syrus of the other plays are tamer
and less humorous than the slaves of Plautus; but they play their part
with wit and liveliness, and the _role_ which they have to perform
is not felt to be incompatible with the ordinary conditions of life.
Aeschinus, in the Adelphoe, shows a higher spirit and more energy of
character than most of the other lovers in Plautus or Terence. The
contrast between the genial, indulgent, selfish man of the world,
and the harder type of character produced by exclusive devotion to
business, is well brought out in the Micio and Demea of the Adelphoe,
and in the Chremes and Menedemus of the Heauton Timorumenos. The
two brothers in the 'Phormio,' Demipho and Chremes, are also happily
characterised and distinguished from one another; and Phormio is
himself a type of the parasite, as distinct from Gnatho, as he is
from the Gelasimus or Curculio of Plautus. The character-painting
in Terence is altogether free from the tendency to exaggeration
and caricature which is the besetting fault of some of the greatest
humourists. Yet with all his truth of detail, his careful avoidance of
the extreme forms of villainy, roguery, and inhuman hardness, it may
be doubted whether the life represented by Terence is not on the
whole more purely conventional than that represented by Plautus. His
personages seem to move about in a kind of 'Fools' paradise' without
the knowledge of good or evil. All the sentimental virtues seem to
flourish spontaneously, even in the hearts of his courtesans: and
though he holds up a true ideal of fidelity in love and loyalty in
friendship, yet the chief practical lesson that seems to be suggested
is the necessity of overcoming the restraints imposed by prudence and
conscience on the indulgence of natural inclination.
Public-domain text, read in full here on John Shaqi.
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