he means that men are more likely to be made better by the fear of contempt than of moral reprobation. But Lucilius had much more than this power of personal raillery, exercised with the force supplied and under the restraints imposed by an energetic social and political life. He is spoken of not only as 'comis et urbanus,' but also as 'doctus' and 'sapiens.' Even his fragments indicate that he was a man of large knowledge of 'books and men.' Horace testifies to the use which he made of the old comic poets of Athens:-- Hinc omnis pendet Lucilius, hosce secutus. His fragments show familiarity with Homer, with the works of the Greek physical and ethical philosophers, with the systems of the rhetoricians, and some acquaintance with the writings of Plato, Archilochus, Euripides, and Aesop. His habit of building up his Latin lines with the help of Greek phrases illustrates the first powerful influence of the new learning before the Roman mind was able thoroughly to assimilate it, but when it was in the highest degree stimulated and fascinated by it. The mind of Lucilius was susceptible to the novelty of the new thoughts and new impressions, but like that of his contemporaries was insensible to the grace and symmetry of Greek art. Terence is the only writer in the ante-Ciceronian period who had the sense of artistic form. But all this foreign learning was, in the mind of Lucilius, subsidiary to the freshest observation and most discerning criticism of his own age. He was a spectator of life more than an actor in it, but he yet had been present at one of the most important military events of the time, and he had lived in the closest intimacy with the greatest soldier and most prudent statesman of his age. His satire had thus none of the limitation and unreality which attaches to the work of a student and recluse, such as Persius was. To the writings of Lucilius more perhaps than to those of any other Roman would the words of Martial apply-- Hominem pagina nostra sapit.