Yet it is undoubted that, notwithstanding the most glaring faults and defects in form and style, he was one of the most popular among the Roman poets. The testimony of Cicero, Persius, Juvenal, Quintilian, Tacitus, and Gellius, confirms on this point the more ample testimony of Horace. If, as Mr. Munro thinks, Horace may have expressed, in deference to the prevailing taste of his time, a less qualified admiration for him than he really felt, this only shows how strong a hold his writings had over the reading public in the Augustan age. But Horace shows by no means the same deference to the admirers of Plautus and Ennius. To Lucilius he pays also the sincerer tribute of frequent imitation. He made him his model, in regard both to form and substance, in his satires; and even in his epistles he still acknowledges the guidance of his earliest master. In reading both the Satires and Epistles we are continually coming upon the vestiges of Lucilius, in some turn of expression, some personal or illustrative allusion. Similar vestiges are found, imbedded in the harsh and jagged diction of Persius, and though not to the same extent, in the polished rhetoric of Juvenal. Nor was his literary influence confined to Roman satirists. Lucretius, Catullus, and even Virgil, have not disdained to adopt his thoughts or imitate his manner[47]. But if we cannot altogether account for, we may yet partially understand the admiration which his countrymen felt for Lucilius. In every great literature, while there are some works which appeal to the imagination of the whole world, there are others which seem to hit some particular mood of the nation to which their author belongs, and are all the more valued from the prominence they give to this idiosyncracy. Every nation which has had a literature seems to have valued itself on some peculiar humour or vein of observation and feeling, which it regards as specially allotted to itself, over and above its common inheritance of the sense of the ludicrous, which it shares with other races. Those writers who have this last in unusual measure become the favourite humourists of the world. But their own countrymen often prefer those endowed with the narrower domestic type; and of this type Lucilius seems to have been a true representative. The 'antiqua et vernacula festivitas,' attributed to him, seems to have been more combative and aggressive than genial and sympathetic. The 'Italum acetum' was employed by the Romans as a weapon of controversy with the view of damaging an adversary and making either himself or the cause he represented appear ridiculous and contemptible. The dictum of a modern humourist, that to laugh at a man properly you must first love him, would have seemed to an ancient Roman a contradiction in terms. When Horace writes-- Ridiculum acri Fortius et melius magnas plerumque secat res,