The Roman Poets of the Republic, 3rd editionSellar, W. Y. (William Young)
History
The Roman Poets of the Republic, 3rd edition
Sellar, W. Y. (William Young)
Latin poetry -- History and criticism
retirement was one great element in the Roman taste for country
life;--a taste which was manifested among the foremost public men,
such as the Scipios and Laelius, long before any trace of it is
betrayed in Roman poetry. But, as the practice of spending the
unhealthy months of autumn away from Rome became general among the
wealthier classes, and as new modes of sentiment were fostered
by greater leisure and finer cultivation, a genuine love of
Nature,--taking the form either of attachment to particular places,
or of enjoyment in the life and beautiful spectacle of the outward
world,--was gradually awakened in the more refined spirits of the
Italian race.
The poetry of the Augustan age and of that immediately preceding it
is deeply pervaded by this new sentiment. Each of the great poets
manifests the feeling in his own way. Lucretius, while contemplating
the majesty of Nature's laws, and the immensity of her range, is at
the same time powerfully moved to sympathy with her ever-varying life.
He feels the charm of simply living in fine weather, and looking
on the common aspects of the world,--such as the sea-shore, fresh
pastures and full-flowing rivers, or the new loveliness of the early
morning. He represents the punishment of the Danaides as a symbol of
the incapacity of the human spirit to enjoy the natural charm of the
recurring seasons of the year. Catullus, too, although his active
social temper did not respond to the spell which Nature exercised over
the contemplative and pensive spirits of Lucretius and Virgil, has
many fine images from the outward world in his poems. He delights in
comparing the grace and the passion of youth with the bloom of flowers
and the stateliness of trees; he associates the beauty of Sirmio with
his bright picture of the happiness of home; he feels the return of
the genial breezes of spring as enhancing his delight in leaving the
dull plains of Phrygia, and in hastening to visit the famous cities of
Asia. Virgil's early art was characterised by his friend and brother
poet in the lines,--
Molle atque facetum
Vergilio annuerunt gaudentes rure camenae[4].
The love of natural, and especially of Italian, beauty blends with all
his patriotic memories, and with the charm which he has cast around
the common operations of rustic industry. The freedom and peace of his
country life, among the Sabine hills, kept the heart of Horace fresh
and simple, in spite of all the pleasures and flatteries to which he
was exposed; and enabled him, till the end of his course, to mingle
the clear fountain of native poetry,--'ingeni benigna vena,'--with the
stiller current of his meditative wisdom.
Public-domain text, read in full here on John Shaqi.
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