The chief interest of Roman poetry, considered as the work of men of natural genius and cultivated taste, and as the expression of great national ideas or of individual thought and impulse, ceases with the end of the Augustan age. Under the continued pressure of the Empire, true poetical inspiration and pure feeling for art were lost. One certain test of this decay is the absence of musical power and sweetness from the verse of the later poets. Yet some of the poets of the Empire have their own peculiar value. Lucan and Juvenal recall in their vigorous rhetoric the masculine tone and fervid feeling of the old Roman character, liberalised by the progress of thought and education. In the Satires of Persius, there is an atmosphere of purer morality than in any earlier Roman writer, with the exception of Cicero. There is much vigour, sense, wit, and a keen appreciation of life, intermingled with the coarseness of Martial. Yet it is owing rather to their rhetorical or their intellectual ability and to their historical interest, than to their poetical genius, that these writers are still read and admired. If good taste, culture, and devotion to the Muses could make a man a poet in an unpoetical age, Statius would be counted among the great poets of Rome. The artificial epics of Silius Italicus and Valerius Flaccus may be occasionally read in the interests of learning: but it is hardly probable that they will, or desirable that they should, ever be permanently restored from the neglect and oblivion into which they have long been sinking. This review of Roman poetry will bring before us the origin and progressive growth of a branch of literature, moulded, indeed, on the forms of a foreign art, but executed with native energy, and expressive of native character. In this poetry not the genius only, but the whole nature and sympathies of some of the more interesting men of antiquity are displayed. It throws light on the impulses of thought and feeling which influenced the action of different epochs in Roman history. The great qualities of Rome are seen to mould and animate her poetry. These qualities are found in harmonious union with the spirit of enjoyment and the sense of exuberant life, fostered by the genial air of Italy; and with a refinement of taste drawn from the purest source of human culture which the world has ever enjoyed. After all deductions have been made for their want of inventiveness, it still remains true, that the Roman poets of the last days of the Republic and of the Augustan age have added to the masterpieces of literature some great works of native feeling as well as of finished execution. [Footnote 1: Hom. Od. xxii. 347.] [Footnote 2: Cf. Cic. Tusc. Disp. i. 2, 3. Sero igitur a nostris poetae vel cogniti vel recepti. At contra oratorem celeriter complexi sumus: nec cum primo eruditum, aptum tamen ad dicendum.] [Footnote 3: Smith's Dict. of Greek and Roman Biography, art. Catullus.]