As the long roll of the hexameter and the stately march of the alcaic were expressive of the gravity and majesty of the Roman State, so the ring and flow of the Saturnian verse may be regarded as indicative of the freedom and genial enjoyment of life, characterising the old Italian peasantry. The most important kinds of compositions produced in this metre, under purely native influences, may be classed as, 1. Hymns or ritual verses. 2. Prophetic verses. 3. Festive and satiric verses, uttered in dialogue or in rude mimetic drama. 4. Short gnomic or didactic verses. 5. Commemorative odes sung or recited at banquets and funerals. 1. The earliest extant specimen of the Latin language is a fragment of the hymn of the Fratres Arvales, a priestly brotherhood, who offered, on every 15th of May, public sacrifices for the fertility of the fields. This fragment is variously written and interpreted, but there can be no doubt that it is the expression of a prayer for protection against pestilence, addressed to the Lares and the god Mars, and that it was uttered with the accompaniment of dancing. The following is the reading of the fragment, as given by Mommsen:-- Enos, Lases, juvate. Ne veluerve, Marmar, sins incurrere in pleores. Satur fu, fere Mars. Limen sali. Sta berber. Semunis alternis advocapit conctos. Enos, Marmar, juvato. Triumpe, triumpe, triumpe, triumpe, triumpe[3]. The address to Mars 'Satur fu,' or, according to another reading, 'Satur furere,' 'be satisfied or done with raging,' probably refers to the severity of the winter and early spring[4]. The words have reference to the attributes of the God in the old Italian religion, in which the powers of Nature were deified and worshipped long before Mars was identified with the Greek Ares. The other expressions in the prayer appear to be, either directions given to the dancers, or the sounds uttered as the dance proceeded. Another short fragment has been preserved from the hymn of the Salii, also an ancient priesthood, supposed to date from the times of the early kings. The hymn is characterised by Horace, among other specimens of ancient literature, as equally unintelligible to himself and to its affected admirers[5].