Rome -- History -- Republic, 265-30 B.C. -- Fiction
She wore the plain white robes, bordered and zoned with crimson, of a
patrician lady, but save one massive signet on the third finger of her
right hand she had no gem or ornament whatever; and as she sat a little
way aloof from her younger companions, drawing the slender threads with
many a graceful motion from the revolving distaff into the basket by her
side, she might have passed for her, whose proud prayer, that she might be
known not as the daughter of the Scipios but as the mother of the Gracchi,
was but too fatally fulfilled in the death-earned celebrity of those her
boasted jewels.
The other lady was smaller, slighter, fairer, and altogether so different
in mien, complexion, stature, and expression, that it was difficult even
for those who knew them well to believe that they were a mother and her
only child. For even in her flush of beauty, the elder lady, while in the
full splendor of Italian womanhood, must ever have been calculated to
inspire admiration, not all unmixed with awe, rather than tenderness or
love. The daughter, on the other hand, was one whose every gesture, smile,
word, glance, bespoke that passion latent in itself, which it awakened in
the bosom of all beholders.
Slightly above the middle stature, and with a waist of scarce a span’s
circumference, her form was exquisitely full and rounded; the sweeping
outlines of her snow-white and dimpled arms, bare to the shoulders, and
set off by many strings of pearl, which were themselves scarcely whiter
than the skin on which they rested; the swan-like curvature of the
dazzling neck; the wavy and voluptuous development of her bust, shrouded
but not concealed by the plaits of her white linen _stola_, fastened on
either shoulder by a clasp of golden fillagree, and gathered just above
her hips by a gilt zone of the Grecian fashion; the small and shapely
foot, which peered out with its jewelled sandal under her gold-fringed
draperies; combined to present to the eye a very incarnation of that ideal
loveliness, which haunts enamored poets in their dreams, the girl just
bursting out of girlhood, the glowing Hebe of the soft and sunny south.
But if her form was lovely, how shall the pen of mortal describe the wild
romantic beauty of her soul-speaking features. The rich redundancy of her
dark auburn hair, black where the shadows rested on it as the sable locks
of night, but glittering out wherever a wandering ray glanced on its
glossy surface like the bright tresses of Aurora. The broad and marble
forehead, the pencilled brows, and the large liquid eyes fraught with a
mild and lustrous languor; the cheeks, pale in their wonted mood as
alabaster, yet eloquent at times with warm and passionate blushes. The
lips, redder than aught on earth which shares both hue and softness; and,
more than all, the deep and indescribable expression which genius prints
on every lineament of those, who claim that rarest and most godlike of
endowments.
Public-domain text, read in full here on John Shaqi.
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