The Roman Wall: A historical, topographical, and descriptive account of the barrier of the lower isthmus, extending from the Tyne to the Solway, deduced from numerous personal surveysBruce, J. Collingwood (John Collingwood)
History
The Roman Wall: A historical, topographical, and descriptive account of the barrier of the lower isthmus, extending from the Tyne to the Solway, deduced from numerous personal surveys
Bruce, J. Collingwood (John Collingwood)
Great Britain -- Antiquities, Roman; Walls, Roman -- Great Britain
Immemorial tradition has asserted, that king Arthur, his queen
Guenever, his court of lords and ladies, and his hounds, were
enchanted in some cave of the crags, or in a hall below the castle of
Sewingshields, and were to continue entranced there till some one
should first blow a bugle horn that lay on a table near the entrance
of the hall, and then with ‘the sword of the stone’ cut a garter also
placed there beside it. But none had ever heard where the entrance to
this enchanted hall was, till the farmer at Sewingshields, about fifty
years since, was sitting upon the ruins of the castle, and his clew
fell, and ran downwards through a rush of briars and nettles, as he
supposed, into a deep subterranean passage. Firm in the faith that the
entrance into king Arthur’s hall was now discovered, he cleared the
briary portal of its weeds and rubbish, and entering a vaulted
passage, followed, in his darkling way, the thread of his clew. The
floor was infested with toads and lizards; and the dark wings of bats,
disturbed by his unhallowed intrusion, flitted fearfully around him.
At length, his sinking courage was strengthened by a dim, distant
light, which, as he advanced, grew gradually brighter, till, all at
once, he entered a vast and vaulted hall, in the centre of which, a
fire without fuel, from a broad crevice in the floor, blazed with a
high and lambent flame, that shewed all the carved walls and fretted
roof, and the monarch and his queen, reposing around in a theatre of
thrones and costly couches. On the floor, beyond the fire, lay the
faithful and deep-toned pack of thirty couple of hounds; and on a
table before it, the spell-dissolving horn, sword, and garter. The
shepherd reverently, but firmly, grasped the sword, and as he drew it
leisurely from its rusty scabbard, the eyes of the monarch, and of his
courtiers began to open, and they rose till they sat upright. He cut
the garter; and as the sword was being slowly sheathed, the spell
assumed its ancient power, and they all gradually sunk to rest; but
not before the monarch had lifted up his eyes and hands, and
exclaimed:
O woe betide that evil day
On which this witless wight was born,
Who drew the sword—the garter cut,
But never blew the bugle-horn.
Terror brought on loss of memory, and the shepherd was unable to give
any correct account of his adventure, or to find again the entrance to
the enchanted hall.[98]
Public-domain text, read in full here on John Shaqi.
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