The Roman Wall: A historical, topographical, and descriptive account of the barrier of the lower isthmus, extending from the Tyne to the Solway, deduced from numerous personal surveysBruce, J. Collingwood (John Collingwood)
History
The Roman Wall: A historical, topographical, and descriptive account of the barrier of the lower isthmus, extending from the Tyne to the Solway, deduced from numerous personal surveys
Bruce, J. Collingwood (John Collingwood)
Great Britain -- Antiquities, Roman; Walls, Roman -- Great Britain
Sometimes, instead of a mound of earth, a monument of stone covered the
place where the sepulchral urn was deposited. This was the case at
BREMENIUM, as already described (_p._ 326). With the ashes or body of
the deceased, it was usual to deposit a small brass coin to answer the
demands of Charon. 'This custom of burying valuables and coins with the
dead is by no means extinct; the humbler Irish will pawn their clothes
to provide fresh pieces of money to throw into the coffins of their
departed friends.'[145] The Romans, as formerly observed, did not
usually deposit either the unburnt bodies of the dead, or their ashes,
within the walls of towns or stations. A curious exception to this
practice has lately been noticed. In the month of October last (1850), a
funereal urn was discovered within the station of BORCOVICUS, near the
north-west corner. It was sunk in the earth, and was covered by an
oblong flat stone, without inscription. The vase, which was of
earthen-ware, and altogether devoid of ornament, was globular in its
form, and of large dimensions. It measured two feet in diameter, and two
feet in height. It contained ashes, amongst which was found a solitary
silver coin of Hadrian. This urn is preserved at Chesters. On the slab
covering the remains of the deceased person, the name and age were not
unfrequently inscribed. The carving, which sometimes includes an effigy
of the individual, is often very rude; the back of the stone is, for the
most part, undressed. The inscriptions on these ‘frail memorials’ which
in the mural region have come down to our times, and ‘implore the
passing tribute of a sigh,’ almost uniformly commence [Sidenote: DII
MANES.] with the letters D. M.—_diis manibus_. The shades or departed
spirits are, probably, themselves intended in this address, though much
confusion exists upon the subject in the works of the ancient writers.
In the following lines, Ovid represents the manes as being objects of
worship:—
Est honor et tumulis: animas placate paternas;
Parvaque in extinctas munera ferte pyras.
Parva petunt MANES: pietas pro divite grata est
Munere: non avidos Styx habet ima Deos.
Tegula projectis satis est velata coronis;
Et sparsæ fruges, parcaque mica salis.
[Illustration: Sepulchral Altar to the Manes of Fabia Honorata, Cilurnum]
Some of the ceremonies here referred to by the Latin poet, are still in
use, as all know who have visited the cemetery of Père la Chaise, in
Paris. On the sepulchral slab, death is rarely mentioned; but the number
of years, months, and days, that the deceased lived, is recorded with
great particularity. The altar, of which an engraving is here
introduced, was found at CILURNUM, and is now in the Library of the Dean
and Chapter at Durham. It bears the following inscription—
Public-domain text, read in full here on John Shaqi.
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