The Romance of a Mummy and Egypt: The Works of Theophile Gautier, Volume 5Gautier, Théophile
General
The Romance of a Mummy and Egypt: The Works of Theophile Gautier, Volume 5
Gautier, Théophile
Egypt -- Antiquities -- Fiction; Egypt -- Description and travel
The operation having been at length completed--for the doctor wished not
to scale off the gilding,--the box, resting on the ground, was separated
into two parts like the casing of a cast, and the mummy appeared in all
the brilliancy of its death toilet, coquettishly adorned as if it had
wished to charm the genii of the subterranean realms. On opening the
case, a faint, delightful, aromatic odour of cedar liquor, of sandal
powder, of myrrh and cinnamon spread through the cabin of the vessel;
for the body had not been gummed up and hardened with the black bitumen
used in embalming the bodies of ordinary persons, and all the skill of
the embalmers, the former inhabitants of Memnonia, seemed to have been
directed to the preservation of these precious remains.
The head was enveloped in a network of narrow bands of fine linen,
through which the face showed faintly. The essences in which they had
been steeped had dyed the tissue a beautiful tawny tint. Over the breast
a network of fine tubes of blue glass, very like the long jet beads
which are used to embroider Spanish bodices, with little golden drops
wherever the tubes crossed, fell down to the feet and formed a pearly
shroud worthy of a queen. The statuettes of the four gods of Amenti in
hammered gold shone brilliantly, and were symmetrically arranged along
the upper edge of the network, which ended below in a fringe of most
tasteful ornaments. Between the statuettes of the funeral gods was a
golden plate, above which a lapis-lazuli scarabaeus spread out its long
golden wings. Under the mummy's head was placed a rich mirror of
polished metal, as if it had been desired to give the dead soul an
opportunity of beholding the spectre of its beauty during the long night
of the tomb. By the mirror lay a coffer of enamelled ware, of most
precious workmanship, which contained a necklace composed of ivory
rings alternating with beads, gold, lapis-lazuli, and cornelian. By the
side of the beauty had been placed also a narrow, square sandal-wood
basin in which, during her lifetime, the dead woman had performed her
perfumed ablutions. Three vases of wavy alabaster fastened to the bier,
as was also the mummy, by a layer of natron, contained, the first two,
essences, the scent of which could still be noticed, and the third,
antimony powder and a small spatula for the purpose of colouring the
edge of the eyelids and extending the outer angle according to the
antique Egyptian usage, still practised at the present time by Eastern
women.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account