The Romance of a Mummy and Egypt: The Works of Theophile Gautier, Volume 5Gautier, Théophile
General
The Romance of a Mummy and Egypt: The Works of Theophile Gautier, Volume 5
Gautier, Théophile
Egypt -- Antiquities -- Fiction; Egypt -- Description and travel
Oph (that is the name of the city which antiquity called Thebes of the
Hundred Gates, or Diospolis Magna), seemed asleep under the burning
beams of the blazing sun. It was noon. A white light fell from the pale
sky upon the baked earth; the sand, shimmering and scintillating, shone
like burnished metal; shadows there were none, save a narrow, bluish
line at the foot of buildings, like the inky line with which an
architect draws upon papyrus; the houses, whose walls sloped well
inwards, glowed like bricks in an oven; every door was closed, and no
one showed at the windows, which were closed with blinds of reeds.
At the end of the deserted streets and above the terraces stood out in
the hot, transparent air the tips of obelisks, the tops of pylons, the
entablatures of palaces and temples, whose capitals, formed of human
faces or lotus flowers, showed partially, breaking the horizontal lines
of the roofs and rising like reefs amid the mass of private buildings.
Here and there above a garden wall shot up the scaly trunk of a palm
tree ending in a plume of leaves, not one of which stirred, for never a
breath blew. Acacias, mimosas, and Pharaoh fig-trees formed a cascade of
foliage that cast a narrow blue shadow upon the dazzling brilliancy of
the ground. These green spots refreshed and enlivened the solemn aridity
of the picture, which but for them would have been that of a dead city.
A few slaves of the Nahasi race, black complexioned, monkey-faced, with
bestial gait, alone braving the heat of the day, were bearing to their
masters' homes the water drawn from the Nile in jars that were hung from
a stick placed on their shoulder. Although they wore nothing but striped
drawers wrinkling on their hips, their torsos, brilliant and polished
like basalt, streamed with perspiration as they quickened their pace
lest they should scorch the thick soles of their feet on the pavements,
which were as hot as the floor of a vapour bath. The boatmen were asleep
in the cabins of their boats moored to the brick wall of the river quay,
sure that no one would waken them to cross to the other bank, where lay
the Memnonia quarter. In the highest heaven wheeled vultures, whose
shrill call, that at any other time would have been lost in the rumour
of the city, could be plainly heard in the general silence. On the
cornices of the monuments two or three ibises, one leg drawn up under
their body, their long bill resting on their breast, seemed to be
meditating deeply, and stood out against the calcined, whitish blue
which formed the background.
Public-domain text, read in full here on John Shaqi.
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