The Romance of a Mummy and Egypt: The Works of Theophile Gautier, Volume 5Gautier, Théophile
General
The Romance of a Mummy and Egypt: The Works of Theophile Gautier, Volume 5
Gautier, Théophile
Egypt -- Antiquities -- Fiction; Egypt -- Description and travel
The Pharaoh, raging and anxious on hearing of the disappearance of
Tahoser, had given way to that desire for change which possesses a heart
tormented by an unsatisfied passion. To the deep grief of Amense,
Hont-Reche, and Twea, his favourites, who had endeavoured to retain him
in the Summer Palace by all the resources of feminine coquetry, he now
inhabited the Northern Palace on the other side of the Nile. His fierce
preoccupation was irritated by the presence and the chatter of his
women; they displeased him because they were not Tahoser. He now thought
ugly those beauties who had seemed to him formerly so fair; their young,
slender, graceful bodies, their voluptuous attitudes, their long eyes
brightened by antimony and flashing with desire, their purple lips,
white teeth, and languishing smiles,--everything in them, even the
perfume of their cool skin, as delicate as a bouquet of flowers or a box
of scent, had become odious to him. He seemed to be angry with them for
having loved them, and to be unable to understand how he could have
been smitten by such vulgar charms. When Twea touched his breast with
the slender, pink finger of her little hand, shaking with emotion, as if
to recall the remembrance of former familiarities; when Hont-Reche
placed before him the draught-board supported by two lions back to back,
in order to play a game; when Amense presented him with a lotus-flower
with respectful, supplicating grace, he could scarcely refrain from
striking them with his sceptre, and his royal eyes flashed with such
disdain that the poor women who had ventured on such boldness, withdrew
abashed, their eyes wet with tears, and leaned silently against the
painted wall, trying by their motionlessness to appear to be part of the
paintings on the frescoes.
To avoid these scenes of tears and violence, he had withdrawn to the
palace of Thebes, alone, taciturn, and sombre; and there, instead of
remaining seated on his throne in the solemn attitude of the gods and of
kings, who, being almighty, neither move nor make a gesture, he walked
feverishly up and down through the vast halls. Strange was it to see
that tall Pharaoh with imposing mien, as formidable as the granite
colossi, his like, making the stone floors resound under his curved
sandals. When he passed, the terrified guards seemed to be petrified and
to turn to stone. They remained breathless, and not even the double
ostrich-feather in their headgear dared tremble. When he had passed,
they scarce ventured to whisper, "What is the matter to-day with the
Pharaoh?"
Public-domain text, read in full here on John Shaqi.
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