The Romance of a Mummy and Egypt: The Works of Theophile Gautier, Volume 5Gautier, Théophile
General
The Romance of a Mummy and Egypt: The Works of Theophile Gautier, Volume 5
Gautier, Théophile
Egypt -- Antiquities -- Fiction; Egypt -- Description and travel
Had he returned from his expedition a beaten man, he could not have been
more morose and sombre. If, instead of having won ten victories, slain
twenty thousand enemies, brought back two thousand virgins chosen from
among the fairest, a hundred loads of gold-dust, a thousand loads of
ebony and elephants' tusks, without counting the rare products and the
strange animals,--if, instead of all this, Pharaoh had seen his army cut
to pieces, his war chariots overthrown and broken, if he had escaped
alone from the rout under a shower of arrows, dusty, blood-covered,
taking the reins from the hands of his driver dead by his side,--he
certainly could not have appeared more gloomy and more desperate. After
all, the land of Egypt produces soldiers in abundance; innumerable
horses neigh and paw the ground in the palace stables; and workmen could
soon bend wood, melt copper, sharpen brass. The fortune of war is
changeable, but a disaster may be atoned for. To have, however, wished
for a thing which did not at once come to him, to have met with an
obstacle between his will and the carrying out of that will, to have
hurled like a javelin a desire which had not struck its mark,--that was
what amazed the Pharaoh who dwelt in the higher plane of almightiness.
For one moment it occurred to him that he was only a man.
So he wandered through the vast courts, down the avenues of giant
pillars, passed under the mighty pylons, between the lofty monolithic
obelisks and the colossi which gazed upon him with their great,
frightened eyes. He traversed the hypostyle hall and the maze of the
granitic forest with its one hundred and sixty-two pillars tall and
strong as towers. The figures of gods, of kings, and of symbolic beings
painted on the walls seemed to fix upon him their great eyes, drawn in
black upon their profile masks, the uraeus snakes to twist and swell
their hoods, the bird-faced divinities to stretch out their necks, the
globes to spread over the cornices their fluttering wings of stone. A
strange, fantastic life animated these curious figures, and peopled with
living swarms the solitudes of the vast hall, which was as large as an
ordinary palace. The divinities, the ancestors, the chimerical
monsters, eternally motionless, were amazed to see the Pharaoh,
ordinarily as calm as themselves, striding up and down as though he were
a man of flesh, and not of porphyry and basalt.
Weary of roaming about that mysterious forest of pillars that upbore a
granite heaven, like a lion which seeks the track of its prey and scents
with its wrinkled nose the moving sand of the desert, the Pharaoh
ascended one of the terraces of the palace, stretched himself on a low
couch, and sent for Timopht.
Public-domain text, read in full here on John Shaqi.
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