The Romance of a Mummy and Egypt: The Works of Theophile Gautier, Volume 5Gautier, Théophile
General
The Romance of a Mummy and Egypt: The Works of Theophile Gautier, Volume 5
Gautier, Théophile
Egypt -- Antiquities -- Fiction; Egypt -- Description and travel
The narrow defile which forms the entrance to the valley of Biban el
Moluk was soon reached. It had more the appearance of the work of man
than of a natural opening in the mighty wall of the mountain, as if the
Genius of Solitude had desired to make this realm of death inaccessible.
On the perpendicular rocky walls were faintly discernible shapeless
vestiges of weather-worn sculptures which might have been mistaken for
the asperities of the stone imitating the worn figures of a half-effaced
_basso-relievo_. Beyond the opening, the valley, which here widened
somewhat, presented the most desolate sight. On either side rose steep
slopes formed of huge masses of calcareous rock, rough, leprous-looking,
worn, cracked, ground to sand, in a complete state of decomposition
under the pitiless sun. They resembled bones calcined in the fire, and
yawned with the weariness of eternity out of their deep crevices,
imploring by their thousand cracks the drop of water which never fell.
The walls rose almost vertically to a great height, and their dentelated
crests stood out grayish-white against the almost black indigo of the
sky, like the broken battlements of a giant ruined fortress. The rays of
the sun heated to white heat one of the sides of the funeral valley, the
other being bathed in that crude blue tint of torrid lands which strikes
the people of the North as untruthful when it is reproduced by
painters, and which stands out as sharply as the shadows on an
architectural drawing.
The valley sometimes made sudden turns, sometimes narrowed into defiles
as the boulders and cliffs drew closer or apart. The thoroughly dry
atmosphere in these climates being perfectly transparent, there was no
aerial perspective in this place of desolation. Every detail, sharp,
accurate, bare, stood out, even in the background, with pitiless
dryness, and the distance could only be guessed at by the smaller
dimensions of objects. It seemed as though cruel nature had resolved not
to conceal any wretchedness, any sadness of this bare land, deader even
than the dead it contained. Upon the sun-lighted cliff streamed like a
cascade of fire a blinding glare like that which is given out by molten
metal; every rock face, transformed into a burning-glass, returned it
more ardent still. These reflections, crossing and recrossing each
other, joined to the flaming rays which fell from heaven and which were
reflected by the ground, produced a heat equal to that of an oven, and
the poor German doctor had hard work to wipe his face with his
blue-checked handkerchief, which was as wet as if it had been dipped in
water.
Public-domain text, read in full here on John Shaqi.
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