The Romance of a Plain ManGlasgow, Ellen Anderson Gholson
General
The Romance of a Plain Man
Glasgow, Ellen Anderson Gholson
Businessmen -- Fiction; Love stories; Married people -- Fiction; Railroads -- Fiction; Richmond (Va.) -- Fiction
The funeral was not until nine o'clock, but at seven my mother served us
a cold breakfast in order, as she said, that she might get the dishes
washed and the house tidied before we started. Gathering about the bare
table, we ate our dismal meal in a depressed silence, while she bustled
back and forth from the kitchen in her holiday attire, which consisted
of a stiff black bombazine dress and the long rustling crape veil she
had first put on at the death of her uncle Benjamin, some twenty years
before. As her only outings were those occasioned by the deaths of her
neighbours, I suppose her costume was quite as appropriate as it seemed
to my childish eyes. Certainly, as she appeared before me in her hard,
shiny, very full bombazine skirt and attenuated bodice, I regarded her
with a reverence which her everyday calico had never inspired.
"I ain't et a mouthful an' I doubt if I'll have time to befo' we start,"
she was saying in an irritable voice, as I settled into my bib and my
chair. "Anybody might have thought I'd be allowed to attend a funeral in
peace, but I shan't be,--no, not even when it comes to my own."
"Thar's plenty of time yet, Susan," returned my father cheerfully, while
he sawed at the cold cornbread on the table. "You've got a good hour an'
mo' befo' you."
"An' the things to wash up an' the house to tidy in my veil and bonnet.
Thar ain't many women, I reckon, that would wash up china in a crape
veil, but I've done it befo' an' I'm used to it."
"Why don't you lay off yo' black things till you're through?"
His suggestion was made innocently enough, but it appeared, as he
uttered it, to be the one thing needed to sharpen the edge of my
mother's temper. The three frowning lines deepened across her forehead,
and she stared straight before her with her perplexed and anxious look
under her rustling crape.
"Yes, I'll take 'em off an' lay 'em away an' git back to work," she
rejoined. "It did seem as if I might have taken a holiday at a time like
this--my next do' neighbour, too, an' I'd al'ays promised him I'd see
him laid safe in the earth. But, no, I can't do it. I'll go take off my
veil an' bonnet an' stay at home."
Before this attack my father grew so depressed that I half expected to
see tears fall into his cup of coffee, as they had into mine. His
handsome gayety dropped from him, and he looked as downcast as was
possible for a face composed of so many flagrantly cheerful features.
"I declar, Susan, I wa'nt thinkin' of that," he returned apologetically,
"it just seemed to me that you'd be mo' comfortable without that sheet
of crape floatin' down yo' back."
"I've never been comfortable in my life," retorted my mother, "an' I
don't expect to begin when I dress myself to go to a funeral. It's got
to be, I reckon, an' it's what I'm used to; but if thar's a man alive
that would stand over a stove with a crape veil on his head, I'd be
obliged to him if he'd step up an' show his face."
Public-domain text, read in full here on John Shaqi.
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