In _Monsieur de Camors_ he has a tremendous deal to write about; his subject weighs his pen to the earth. The result is a book that’s a monstrosity, and a protagonist who’s a monster. Louis de Camors is as truly a monster as any green dragon that ever spat fire or stole king’s daughters (though by no means so exciting a monster), and he hasn’t even the virtue of being a monster that hangs together. For, while we are asked to think of him as destitute of natural affections, he is at the same time shown to us as the fond idolater of his wife, his wife’s mother, and his son. On his son’s account, indeed, he goes so far as to spend a long cold night in a damp and uncomfortable wood, only to be dismissed in the morning without the embrace, in the hope of gaining which he has violated his philosophy and taken the chances of rheumatism. Altogether, a man devoid of affections, who loves his son, his wife, and his mother-in-law, may be regarded as doing pretty well. Again (since we are on the chapter of inconsistencies), in that dreary and pompous letter written to Louis by his father, which expounds the text of what becomes the son’s rule of conduct, he is gravely charged to fling religion and morality out of the window, but to cherish "honour" as it were his life. "It is clear that a materialist can’t be a saint, but he can be a gentleman, and that is something," complacently writes the elder Comte de Camors. Louis, however, though he makes loud acts of faith in this inexpensive gospel, never hesitates to betray his friend, to seduce the wife of his benefactor, nor to marry an unsuspecting child, who loves him, for the sheer purpose of screening an intrigue with "another lady," which he still intends to carry on. Feuillet, perhaps, saves his face by heaping upon this impossible being’s head all the punishments that are poetically due to crime, but he doesn’t save _Monsieur de Camors_. It is a dismal volume, uncommonly hard to read. And yet—art will out; and dismal as it is, it presents to us one of Feuillet’s most captivating women, Louis de Camors’ ingenuous little wife. Listen to her artless pronouncement upon Monsieur’s evangel of "honour." "Mon Dieu," she says, "I’m not sure, but it seems to me that honour apart from morality is nothing very great, and that morality apart from religion is nothing at all. It’s like a chain: honour hangs in the last link, like a flower; but when the chain is broken, the flower falls with the rest."