The Romance of a Poor Young Man: A Drama Adapted from the French of Octave FeuilletFeuillet, Octave
General
The Romance of a Poor Young Man: A Drama Adapted from the French of Octave Feuillet
Feuillet, Octave
Drama
_Mad. L._ Do you know, my dear, that I don't feel quite easy in my mind
about that young man.
_Bev._ [_Aside._] Nor I, either.
_Mar._ Why not, mamma?
_Mad. L._ He is much too charming to make a good steward.
_Mar._ Really; I do not perceive it. A person may be honest and
well-behaved, although he does happen to play on the piano.
_Bev._ I don't know that; I flatter myself I have seen something of the
world, and experience has specially taught me to beware of the man who
plays the piano.
_Mar._ Mamma, dear, will you hand me those scissors?
_Mad. L._ Yes, my child. [_Perceives MANUEL'S portfolio._] Whose
drawing-book is this?
_Mar._ That? oh! that is the steward's--I saw it in his hand when he
came in.
_Mad. L._ I positively must take a peep. Oh! De Bevannes, look!
beautiful! What a charming accomplishment it is to draw well.
_Mar._ Yes, for an engineer, or a builder--
_Bev._ Or an actor--
_Mar._ Why gracious! Monsieur de Bevannes, you have said a good thing.
_Bev._ Have I? Allow me to apologize.
_Mar._ Not at all; it's your _first_ offence.
_Mad. L._ How beautifully finished these groups are.
_Bev._ Positively, they're not so bad.
_Mad. L._ Bad! my dear sir; they're exquisite. Look, for instance at
that horse--is it not perfection?
_Bev._ It would be, doubtless--only it happens to be a cow.
_Mad.L._ A cow?
_Bev._ I think so; horses don't go about with two horns.
_Enter MANUEL._
_Man._ Your pardon, ladies; but I believe I left my drawing-book--
_Mad. L._ Allow me to return it, sir--and to thank you for an accident
which has afforded us much pleasure.
_Man._ Madame, you are too kind--so kind, indeed, that you have too long
refrained from permitting me to commence my duties. With your consent, I
will at once set about them. Your farm at Langeot, of which you spoke to
me, is not more, I think, than a mile or two from this. I will walk over
there this afternoon, and--
_Mad. L._ Walk! over such a miserable bad road as it is. Indeed, sir, I
could not allow it.
_Enter MADAME AUBREY._
_Mad. A._ Hush! Pray, _pray_, not so much noise. My dear cousin has
composed himself to sleep.
_Bev._ Noise! it appears to me we were pretty quiet.
_Mad. A._ Ah, sir, you might think so; but the least sound jars upon
his poor nerves. [_Weeps._
_Bev._ [_Aside._] I never saw such a devil of a woman as this is, to
cry.
_Man._ But I assure you, Madame, that I would rather walk. If I pretend
to be your steward--why steward I must be, and not fine gentleman.
_Mad. L._ [_To_ MARGUERITE.] My dear, would it be proper to allow M.
Manuel to walk?
_Mar._ I believe it is usual for the steward to do so. However, I see no
reason why he should not ride, if he chooses. There are plenty of horses
in the stable.
_Mad. A._ Ah! [_Weeps._
_Bev._ What's the matter, Madame?
_Mad. A._ Talking of riding always overcomes me.
Public-domain text, read in full here on John Shaqi.
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