London (England) -- Fiction; Middle class women -- Fiction; Women -- Employment -- Fiction
Then followed a period of absorbing and unremitting toil. All through
the sweet June month the girls laboured at setting things in order in
the new home. Expense being a matter of vital consequence, they
endeavoured to do everything, within the limits of possibility,
themselves. Workmen were of course needed for repairing the studio and
fitting the kitchen fire-place, but their services were dispensed with
in almost every other case. The furniture stored at the Pantechnicon
proved more than enough for their present needs; Gertrude and Conny
between them laid down the carpets and hung up the curtains; and Fred,
revealing an unsuspected talent for carpentering, occupied his leisure
moments in providing the household with an unlimited quantity of
shelves.
Indeed, the spectacle of that gorgeous youth hammering away in his shirt
sleeves on a pair of steps, his immaculate hat and coat laid by, his
gardenia languishing in some forgotten nook, was one not easily to be
overlooked or forgotten. It was necessary, of course, to buy some
additional stock-in-trade, and this Mr. Russel undertook to procure for
them at the lowest possible rates; adding, on his own behalf, a large
burnishing machine. The girls had hitherto been accustomed to have their
prints rolled for them by the Stereoscopic Company.
In their own rooms everything was of the simplest, but a more ambitious
style of decoration was attempted in the studio.
The objectionable Virginia cork and coloured glass of the little passage
were disguised by various aesthetic devices; lanterns swung from the
roof, and a framed photograph or two from Duerer and Botticelli, Watts
and Burne-Jones, was mingled artfully with the specimens of their own
work which adorned it as a matter of course.
A little cheap Japanese china, and a few red-legged tables and chairs
converted the waiting-room, as Phyllis said, into a perfect bower of art
and culture; while Fred contributed so many rustic windows, stiles and
canvas backgrounds to the studio, that his bankruptcy was declared on
all sides to be imminent.
Over the street-door was fixed a large black board, on which was painted
in gold letters:
G. & L. LORIMER: THE PHOTOGRAPHIC STUDIO
and in the doorway was displayed a showcase, whose most conspicuous
feature was a cabinet portrait of Fred Devonshire, looking, with an air
of mingled archness and shamefacedness, through one of his own elaborate
lattices in Virginia cork.
The Maryons surveyed these preparations from afar with a certain amused
compassion, an incredulous kindliness, which were rather exasperating.
Like most people of their class, they had seen too much of the ups and
downs of life to be astonished at anything; and the sight of these
ladies playing at photographers and house decorators, was only one more
scene in the varied and curious drama of life which it was their lot to
witness.
"I wish," said Gertrude, one day, "that Mrs. Maryon were not such a
pessimist."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account