The Romance of Biography (Vol 1 of 2): or Memoirs of Women Loved and Celebrated by Poets, from the Days of the Troubadours to the Present Age. 3rd ed. 2 Vols. — John Shaqi
The Romance of Biography (Vol 1 of 2): or Memoirs of Women Loved and Celebrated by Poets, from the Days of the Troubadours to the Present Age. 3rd ed. 2 Vols.Jameson, Mrs. (Anna)
History
The Romance of Biography (Vol 1 of 2): or Memoirs of Women Loved and Celebrated by Poets, from the Days of the Troubadours to the Present Age. 3rd ed. 2 Vols.
Jameson, Mrs. (Anna)
Women in literature
The story of Peyre de Ruer, "gentilhomme et Troubadour," might be termed
a satirical romance, did we not know that it is a plain fact, related
with perfect simplicity. He devotes himself to a lady of the noble
Italian family of Carraccioli, and in her praise he composes, as usual,
"maintes belles et doctes chansons:"--but the lady seems to have had a
taste for magnificence and pleasure; and the poet, in order to find
favour in her eyes, expends his patrimony in rich apparel, banquets, and
_joustes_ in her honour. The lady, however, continues inexorable; and
Peyre de Ruer takes the habit of a pilgrim and wanders about the
country. He arrives in the holy week at a certain church, and desires of
the curé permission to preach to his congregation of penitents:--he
ascends the pulpit, and recites with infinite fervour and grace one of
his own chansons d'amour,--for, says the chronicle, "_autre chose ne
sçavait_," "he knew nothing better." The people mistaking it for an
invocation to the Virgin Mary or the Saints, are deeply affected and
edified; eyes are seen to weep that never wept before; the most
impenitent hearts are suddenly softened: he concludes with an
exhortation in the same strain--and then descending from the pulpit,
places himself at the door, and holding out his hat for the customary
alms, his delighted congregation fill it to overflowing with pieces of
silver. Peyre de Ruer forthwith casts off his pilgrim's gown, and in a
new and splendid dress, and with a new song in his hand, he presents
himself before the ladye of his love, who charmed by his gay attire not
less than by his return, receives him most graciously, and bestows on
him "maintes caresses."
I must observe that the biographer of this Peyre de Ruer, himself a
churchman, does not appear in the least scandalised or surprised at
this very novel mode of recruiting his finances and obtaining the favour
of the lady; but gives us fairly to understand, that after such a proof
of _loyauté_ he should have thought it quite contrary to all rule if she
had still rejected the addresses of this _gentil Troubadour_.
Public-domain text, read in full here on John Shaqi.
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