[21] Chi s' innamora, siccome voi fate Ed ad ogni piacer si lega e scioglie Mostra ch'amor leggermente il saetti--SON. 44. CHAPTER VI. LAURA. There are some who doubt the reality of Petrarch's love, because it is expressed in numbers; and others, refining on this doubt, profess even to question whether his Laura ever existed, except in the imagination and the poetry of her lover. The first objection could only be made by the most prosaic of commentators--some true "black-letter dog"[22]--who had dustified and mistified his faculties among old parchments. The most real and most fervent passion that ever fell under my own knowledge, was revealed in verse, and very exquisite verse too, and has inspired many an effusion, full of beauty, fancy, and poetry; but it has not, therefore, been counted less sincere; and Heaven forbid it should prove less lasting than if it had been told in the homeliest prose, and had never inspired one beautiful idea or one rapturous verse! To study Petrarch in his own works, and in his own delightful language; to follow him line by line, through all the vicissitudes and contradictions of passion; to listen to his self-reproaches, his terrors, his regrets, his conflicts; to dwell on his exquisite delineations of individual character and peculiar beauty, his simple touches of profound pathos and melancholy tenderness:--and then believe all to be mere invention,--the coinage of the brain,--a tissue of visionary fancies, in which the heart had no share; to confound him with the cold metaphysical rhymesters of a later age,--seems to argue not only a strange want of judgment, but an extraordinary obtuseness of feeling.[23] The faults of taste of which Petrarch has been accused over and over again, by those who seem to have studied him as Voltaire studied Shakspeare,--his _concetti_--his fanciful adoration of the laurel, as the emblem of Laura--his playing on the words _Laura_, _L'aura_, and _Lauro_, his _freezing flames_ and _burning ice_,--I abandon to critics, and let them make the best of them, as defects in what were else perfection.