The Romance of Biography (Vol 1 of 2): or Memoirs of Women Loved and Celebrated by Poets, from the Days of the Troubadours to the Present Age. 3rd ed. 2 Vols.Jameson, Mrs. (Anna)
History
The Romance of Biography (Vol 1 of 2): or Memoirs of Women Loved and Celebrated by Poets, from the Days of the Troubadours to the Present Age. 3rd ed. 2 Vols.
Jameson, Mrs. (Anna)
Women in literature
It appears to me that the very impression of Petrarch's individual
character, and the circumstances of his life, on the whole mass of his
poetry, are evidence of the truth of his attachment, and the reality of
its object. He was by nature a poet; his love was, therefore, poetical:
he loved "in numbers, for the numbers came." He was an accomplished
scholar in a pedantic age,--and his love is, therefore, illustrated by
such comparisons and turns of thought as were allied to his habitual
studies. He had a fertile and playful fancy, and his love is adorned by
all the luxuriance of his imagination. He had been educated for the
profession of the Civil Law, "per vender parole anzi mensogne,"--to
sell words and lies, as he disdainfully expressed it,--and his love is
mixed up with subtile reasonings on his own hapless state. He was a
philosopher, and it is tinged with the mystic reveries of Platonism, the
favourite and fashionable philosophy of the age. He was deeply
religious, and the strain of devotional and moral feeling which mingles
with that of passion, or of grief,--his fears lest the excess of his
earthly affections should interfere with his eternal salvation,--his
continual allusions to his faith, to a future existence, and the
nothingness and vanity of the world,--are not so many proofs of his
profaneness, but of his sincerity. He was suspicious, irritable, and
susceptible; subject to quick transitions of feeling; raised by a word
to hope--plunged by a glance into despair; just such a finely-toned
instrument as a woman loves to play on;--and all this we have set forth
in the contradictions, the self-reproaches, the little daily
vicissitudes which are events and revolutions in a life of passion; a
life, which when exhibited in the rich and softening tints of poetry,
has all the power of strong interest, united to the charm of harmony and
expression; but in the reality, and in plain prose, cannot be
contemplated without a painful compassion. "The day may perhaps come,"
says Petrarch in one of his familiar letters,[24] "when I shall have
calmness enough to contemplate all the misery of my soul, to examine my
passion, not however, that I may continue to love her--but that I may
love thee alone, O my God! But at this day, how many obstacles have I
yet to surmount, how many efforts have I yet to make! I no longer love
as I did love, but still I love; I love in spite of myself--in
lamentations and in tears. I will hate her--No!--I must still love her!"
Seven years afterwards he writes,--"my love is extreme, but it is
exclusive and virtuous--virtuous!--no!--this disquietude, these
suspicions, these transports, this watchfulness, this utter weariness of
every thing, are not signs of a virtuous love!" What a picture of an
impassioned and distracted heart!
* * * * *
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account