The Romance of Biography (Vol 1 of 2): or Memoirs of Women Loved and Celebrated by Poets, from the Days of the Troubadours to the Present Age. 3rd ed. 2 Vols.Jameson, Mrs. (Anna)
History
The Romance of Biography (Vol 1 of 2): or Memoirs of Women Loved and Celebrated by Poets, from the Days of the Troubadours to the Present Age. 3rd ed. 2 Vols.
Jameson, Mrs. (Anna)
Women in literature
[23] In a private letter of Petrarch to the Bishop of Lombes, occurs the
following passage--(the Bishop, it appears, had rallied him on the
subject of his attachment.) "Would to God that my Laura were indeed but
an imaginary person, and my passion for her but sport!--Alas! it is
rather a madness!--hard would it have been, and painful, to feign so
long a time--and what extravagance to play such a farce in the world!
No! we may counterfeit the action and voice of a sick man, but not the
paleness and wasted looks of the sufferer; and how often have you
witnessed both in me!"--SADE, vol. i. p. 281.
[24] Quoted by Foscolo.
[25] Canz. xv. Son. 10.
[26] See Son. 37, 38, &c.
[27] Foscolo remarks the restless spirit which all his life drove
Petrarch, like a perturbed spirit, from one residence to another.
[28] Here Petrarch seems to have forgotten himself; he was not _always_
immaculate.
CHAPTER VII.
LAURA AND PETRARCH CONTINUED.
Much power of lively ridicule, much coarse wit,--principally French
wit,--has been expended on the subject of Laura's virtue; by those, I
presume, who under similar circumstances would have found such virtue
"too painful an endeavour."[29] Much depraved ingenuity has been
exerted to twist certain lines and passages in the Canzonière into a
sense which shall blot with frailty the memory of this beautiful and
far-famed being: once believe these interpretations, and all the
peculiar and graceful charm which now hangs round her intercourse with
Petrarch vanishes,--the reverential delicacy of the poet's homage
becomes a mockery, and all his exalted praises of her unequalled virtue,
and her invincible chastity, are turned to satire, and insult our moral
feeling.
But the question, I believe, is finally set at rest, and it were idle
to war with epigrams. All the evidence that has been collected, external
and internal, prose and poetry, critical and traditional, tends to
prove, first, that Laura preserved her virtue to the last; and,
secondly, that she did not preserve it unassailed; that Petrarch, true
to his sex,--a very man, (as Laura has been called a _very woman_,) used
at first every art, every effort, every advantage, which his diversified
accomplishments of mind and person lent him, to destroy the very virtue
he adored. He only _hints_ this in his poetry, just sufficiently to
enhance the glory which he has thrown round his divinity; but he speaks
more plainly in prose.
"Untouched by my prayers, unvanquished by my arguments, unmoved by my
flattery, she remained faithful to her sex's honour; she resisted her
own young heart, and mine, and a thousand, thousand, thousand things,
which must have conquered any other. She remained unshaken. A woman
taught me the duty of a man! to persuade me to keep the path of virtue,
her conduct was at once an example and a reproach; and when she beheld
me break through all bounds, and rush blindly to the precipice, she had
the courage to abandon me, rather than follow me."[30]
Public-domain text, read in full here on John Shaqi.
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