The Romance of Biography (Vol 2 of 2): or Memoirs of Women Loved and Celebrated by Poets, from the Days of the Troubadours to the Present Age. 3rd ed. 2 Vols.Jameson, Mrs. (Anna)
General
The Romance of Biography (Vol 2 of 2): or Memoirs of Women Loved and Celebrated by Poets, from the Days of the Troubadours to the Present Age. 3rd ed. 2 Vols.
Jameson, Mrs. (Anna)
Women in literature
If the soul of sensibility, which I believe Pope really possessed, had
been enclosed in a healthful frame and an agreeable person, we might
have reckoned him among our _preux chevaliers_, and have had sonnets
instead of satires. But he seems to have been ever divided between two
contending feelings. He was peculiarly sensible to the charms of women,
and his habits as a valetudinarian, rendered their society and attention
not only soothing and delightful, but absolutely necessary to him:
while, unhappily, there mingled with this real love for them, and
dependance on them as a sex, the most irascible self-love; and a
torturing consciousness of that feebleness and deformity of person,
which embittered all his intercourse with them. He felt that, in his
character of poet, he could, by his homage, flatter their vanity, and
excite their admiration and their fear; but, at the same time, he was
shivering under the apprehension that, as a man, they regarded him with
contempt; and that he could never hope to awaken in a female bosom any
feelings corresponding with his own. So far he was unjust to us and to
himself: his friend Lord Lyttelton, and his enemy Lord Hervey,[124]
might have taught him better.
On reviewing Pope's life, his works, and his correspondence, it seems to
me that these two opposite feelings contending in his bosom from youth
to age, will account for the general character of his poems with a
reference to our sex:--will explain why women bear so prominent a part
in all his works, whether as objects of poetical gallantry, honest
admiration, or poignant satire: why there is not among all his
productions more than one poem decidedly amatory, (and that one partly
suppressed in the ordinary editions of his works,) while women only have
furnished him with the materials of all his _chef-d'oeuvres_: his
Elegy, his 'Rape of the Lock,' the 'Epistle of Heloise,' and the second
of his Moral Essays. He may call us, and prove us, in his antithetical
style, "a contradiction:"[125] but we may retort; for, as far as women
are concerned, Pope was himself one miserable antithesis.
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