The Romance of Biography (Vol 2 of 2): or Memoirs of Women Loved and Celebrated by Poets, from the Days of the Troubadours to the Present Age. 3rd ed. 2 Vols.Jameson, Mrs. (Anna)
General
The Romance of Biography (Vol 2 of 2): or Memoirs of Women Loved and Celebrated by Poets, from the Days of the Troubadours to the Present Age. 3rd ed. 2 Vols.
Jameson, Mrs. (Anna)
Women in literature
If Habington had not been born a poet, a tombstone in an obscure country
church would have been the only memorial of himself and his Castara.
"She it was who animated his imagination with tenderness and elegance,
and filled it with images of beauty, purified by her feminine delicacy
from all grosser alloy." In return, he may be allowed to exult in the
immortality he has given her.
Thy vows are heard! and thy Castara's name
Is writ as fair i' the register of fame,
As the ancient beauties which translated are
By poets up to Heaven--each there a star.
....*....*....*....*
Fix'd in Love's firmament no star shall shine
So nobly fair, so purely chaste as thine!
The collection of poems which Habington dedicated to his Castara, is
divided into two parts: those written before his marriage he has
entitled "The Mistress," those written subsequently, "The Wife."
He has prefixed to the whole an introduction in prose, written with some
quaintness, but more feeling and elegance, in which he claims for
himself the honour of being the first _conjugal_ poet in our language.
To use his own words: "Though I appear to strive against the stream of
the best wits in erecting the same altar to chastity and love, I will,
for one, adventure to do well without a precedent."
Habington had, however, been anticipated, as we have seen, by some of
the Italian poets whom he has imitated: he has a little of the
_recherche_ and affectation of their school, and is not untinctured by
the false taste of his day. He has not great power, nor much pathos; but
these defects are redeemed by a delicacy of expression uncommon at that
time; by the interest he has thrown round a love as pure as its object,
and by the most exquisite touches of fancy, sentiment, and tenderness.
Without expressly naming his wife in his prefatory remarks, he alludes
to her very beautifully, and exults, with a modest triumph, in the value
of his rich possession.
"How unhappy soever I may be in the elocution, I am sure the theme is
worthy enough. * * * Nor was my invention ever sinister from the
straight way of chastity; and when love builds upon _that_ rock, it may
safely contemn the battery of the waves, and the threatenings of the
wind. Since time, that makes a mockery of the finest structures, shall
itself be ruined before _that_ be demolished. Thus was the foundation
laid; and though my eye, in its survey, was satisfied even to curiosity,
yet did not my search rest there. The alabaster, ivory, porphyry, jet,
that lent an admirable beauty to the outward building, entertained me
with but half pleasure, since they stood there only to make sport for
ruin. But when my soul grew acquainted with the owner of that mansion, I
found that oratory was dumb when it began to speake her."
Public-domain text, read in full here on John Shaqi.
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