The Romance of Biography (Vol 2 of 2): or Memoirs of Women Loved and Celebrated by Poets, from the Days of the Troubadours to the Present Age. 3rd ed. 2 Vols.Jameson, Mrs. (Anna)
General
The Romance of Biography (Vol 2 of 2): or Memoirs of Women Loved and Celebrated by Poets, from the Days of the Troubadours to the Present Age. 3rd ed. 2 Vols.
Jameson, Mrs. (Anna)
Women in literature
and died in the first year of the Protectorate, 1654. I cannot discover
the date of Castara's death; but she died some years before her husband,
leaving only one son.
There is one among the poems of the second part of Castara, which I
cannot pass without remark; it is the Elegy which Habington addressed to
his wife, on the death of her friend, Venetia Digby, the consort of the
famous Sir Kenelm Digby. She was the most beautiful woman of her time:
even Lord Clarendon steps aside from the gravity of history, to mention
"her extraordinary beauty, and as extraordinary fame." Her picture at
Windsor is, indeed, more like a vision of ideal loveliness, than any
form that ever trod the earth.[54] She was descended from the Percies
and the Stanleys, and was first cousin to Habington's Castara, their
mothers being sisters. The magnificent spirit of her enamoured husband,
surrounded her with the most gorgeous adornments that ever were invented
by vanity or luxury: and thus she was, one day, found dead on her couch,
her hand supporting her head, in the attitude of one asleep. Habington's
description exactly agrees with the picture at Althorpe, painted after
her death by Vandyke.
What's honour but a hatchment? what is here
Of Percy left, or Stanley, names most dear
To virtue?
Or what avails her that she once was led
A glorious bride to valiant Digby's bed?
She, when whatever rare
The either Indies boast, lay richly spread
For her to wear, lay on her pillow _dead_!
There is no piercing the mystery which hangs round the story of this
beautiful creature: that a stigma rested on her character, and that she
was exculpated from it, whatever it might be, seems proved, by the doves
and serpents introduced into several portraits of her; the first,
emblematical of her innocence, and the latter, of her triumph over
slander: and not less, by these lines of Habington. If Venetia Digby had
been, as Aubrey and others insinuate, abandoned to profligacy, and a
victim to her husband's jealousy, Habington would scarce have considered
her noble descent and relationship to his Castara as a matter of pride;
or her death as a subject of tender condolence; or the awful manner of
it a peculiar blessing of heaven, and the reward of her virtues.
Come likewise, my Castara, and behold
What blessings ancient prophecy foretold,
Bestow'd on her in death; she past away
So sweetly from the world as if her clay
Lay only down to slumber. Then forbear
To let on her blest ashes fall a tear;
Or if thou'rt too much woman, softly weep,
Lest grief disturb the silence of her sleep!
Public-domain text, read in full here on John Shaqi.
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