“Thou hast woman wit. It is exactly as thou sayest,” bragged Jacques,
turning towards the mummied face of Papillon’s simple wife. “She is
cousin to our holy bishop himself; and even that great man she left
grinning and biting his nails, for he and the abbess they would make a
nun of her. Thou dost not know the mightiness of her family. My Louise
can charm thee with all that. But this lady was a princess in France,
and voyaged here by the king’s ship, being vilely sickened and tossed
about; and all for my commandant. Is not the Sieur des Ormeaux known in
France?” Jacques snapped his fingers high in air.
The lowest floor of the seigniory house was the rock on which it was
based. Here and within the stockade were such domestic animals as
belonged to the island. A sheep rubbed against Louise, passing out as
she passed in.
She looked around the darkened strong walls, unpierced by even a
loop-hole, at the stores of provender for dumb and human inmates.
Jacques had underestimated his wealth in collected food. His magazine
seemed still overflowing when it was spring and seed-time, and the
dearth of winter nearly past.
A stone staircase twisted itself in giving ascent to the next floor.
Here were sleeping-cells for the seignior’s servants, and a huge
kitchen having pillars of cemented rock across its center, and a
fire-place like a cave. Lancelike windows gave it light, and in the
walls were loop-holes which had been stopped with stone to keep out the
Canadian winter.
A broader stairway of tough and well-dried wood in one corner led up
to the seignior’s apartment above, which was divided into several
rooms. The largest one, the saloon of the mansion, had also its cavern
fire-place where pieces of wood were smoldering. A brass candelabrum
stood on the mantel. Rugs of fawn skin beautifully spotted, and of
bear skin relieved the dark unpolished floor. The walls of all the
rooms were finished with a coarse plaster glittering with river sand.
Some slender-legged chairs, a high-backed cushioned bench, a couch
covered by moth-eaten tapestry, and a round black table furnished this
drawing-room. Some cast-off pieces of armor hung over the mantel, and
an embroidery frame stood at one side of the hearth.
There was but one window, and it swung outward on hinges, the sash
being fitted with small square panes.
When Claire appeared from the private chamber where she had been taken
to refresh herself with Louise to attend on her, Dollard came down the
room, took her by the hands, and led her to this window. He pushed the
sash open quite out of their way, and thus set the landscape in a deep
frame of stone wall.
Public-domain text, read in full here on John Shaqi.
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