The Romance Of Giovanni Calvotti: From Coals Of Fire And Other Stories, Volume II. (of III.)Murray, David Christie
General
The Romance Of Giovanni Calvotti: From Coals Of Fire And Other Stories, Volume II. (of III.)
Murray, David Christie
Fiction
Young Clyde had written to me saying that he was tired and overworked,
and that he needed a month's holiday, and meant to take it. He had never
been in Italy, and naturally proposed to join me in Naples. During the
whole ten months which had gone between my farewell to England and
my receipt of this letter from Arthur, I had striven, and not
unsuccessfully, to banish from my mind all painful and regretful
thoughts of Cecilia. Love is a great passion, but, like everything else
but fate, it is capable of subjection by a resolute will. That soul,
believe me, is of a barren soil indeed, wherein the flower of love has
once been planted, if the flower wither or can be rooted up. But a man
who gardens his soul with resolute and lofty hopes can train the first
poor weed of passion to a glorious bloom, whose perfume is not pain but
comfort. This is a base thing, that a man shall say he loves a woman too
well to be happy whilst she can be happy with another. For me, my divine
Cecilia looks down upon me in my waking hours and in the dreams of
sleep, a thing so far away that I can but worship without a hope of
ownership, or any longer a desire. I am content, I have loved, and I
have not been unworthy. O mia santissima, mio amore no longer--my saint
for ever, my love no more--so you were happy, I were happy. But there
are clouds about you, though you know them not.
Arthur had come to Naples by one of the boats of the Messagerie
Impériale, and had come to share my little house at Posilipo. He brought
with him kindest remembrances from Cecilia and from her sister. I had
mentioned them both freely in my letters, and had sent little things
through his hand to both of them now and then. My old patron, Mr.
Gregory, had given Arthur two or three commissions, and one of his works
had been hung on the line at Burlirgton House, side by side with mine.
In his old, frank, charming way he said--
'If those old buffers on the committee had laid their heads together to
please me, they couldn't have done it more successfully than by hanging
me next to you, old man. When I went in and saw it there, I was better
pleased at being next to you than I was at being on the line. I'm
painting Gregory's portrait for next' year--a splendid subject, isn't
it?'
I took him to walk that morning to the scene I had painted in the work
he spoke of,' He recognised it with enthusiasm, and we walked back
together full of friendship and enjoyment. He had one or two commissions
for Charles Grammont from his sisters, and asked me to help in finding
him. When I learned that the young Englishman was living in the Basso
Porto I was amazed, and when Clyde saw the place he was amazed also.
'Has he got through all his money already,' Arthur asked me, 'that he
lives in a hole like this?'
'I am told,' I said, 'that he has become a miser, spending money on
nothing but drink, and living in a continuous sullen debauchery.'
Clyde faced round upon me as we stood in the doorway of the house
together.
Public-domain text, read in full here on John Shaqi.
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