The Romance of Madame Tussaud'sTussaud, John Theodore
History
The Romance of Madame Tussaud's
Tussaud, John Theodore
Madame Tussaud and Sons' Exhibition; Tussaud, Marie, 1761-1850; Waxworks
One day, while I was at work in the studio on Tennyson, I was visited by
Father Haythornthwaite, rector of the Catholic Church at Freshwater. The
priest was greatly interested, and he must have conveyed to the poet the
intelligence that I was about to place his figure in Madame Tussaud’s,
for very shortly afterwards I learned that Tennyson was particularly
desirous that I should bear in mind that, in spite of his four-score
years, he had not a grey hair in his head--a touch of nature that seemed
to me particularly human.
* * * * *
A nice but unintentional compliment was paid to one of our tableaux about
this time by the present King, when he was Duke of York. We complied with
a request to furnish a representation of the scene of the death of Nelson
in the cockpit of the _Victory_ for the Royal Naval Exhibition at Chelsea
in May, 1891. This tableau was founded on the famous picture by Devis,
which found a permanent home at Greenwich Hospital in 1825; and it was
very well received by the visitors to the Exhibition. The compliment to
which I allude was not heard by me, but it was reported in the Press at
the time that the Duke of York, while looking at the tableau, exclaimed,
“Why, this beats Tussaud’s!”
The tableau has been in our Exhibition ever since, and is a great
favourite with all. When the present Prince of Wales and his brother
Albert paid us a visit, the Sailor Prince looked long and intently at the
historic scene. Both boys were also a good deal moved as they gazed on
the tableau showing the murder of the two little princes in the Tower of
London--a representation over which many impressionable people have been
unable to keep dry eyes.
* * * * *
[Illustration: SIR RICHARD BURTON
The effigy dressed in the clothes he wore on his famous pilgrimage to
Mecca, modeled by John T. Tussaud.]
A great name with the past generation was that of Sir Richard Burton,
who, sixty-six years ago, in fulfilment of a lifelong dream, made
a pilgrimage to the shrine of the prophet Mahomet at Mecca when it
was believed that no Christian could go there. Besides being a great
explorer he was a man of scholarly attainments, and his translation of
the _Arabian Nights_ bears the stamp of an intimate familiarity with the
Orient.
When Sir Richard died his remarkable career became so much a subject of
general comment in the Press that the British public awakened to the fact
that a great Englishman had just passed away.
Apart from his literary achievements, the account of his exploits
revealed so great a love of adventure and so much disregard for narrowing
conventionalities as to leaven the story of his life with a very strong
tincture of romance.
Public-domain text, read in full here on John Shaqi.
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