When modelling his figure I saw a great deal of his handsome and stately widow, and I am sure no woman could have taken a greater pleasure or more pains in assisting an artist with such an undertaking. Every thought, every action, she bestowed upon the work showed how deeply she cherished her husband’s memory and how vividly the portrait stirred her imagination. She clothed the model with perhaps the greatest personal treasure of his she possessed--that is to say, the actual garments her husband wore when he went on his famous pilgrimage to Mecca. She tarried long over the finishing touches that should make his presentment look its best before the critical eyes of the public should scan it. Ornaments, beads, trappings, had each her full consideration, and the very weapons of defence stuck anglewise in his belt were subjected to her most careful arrangement. Of the capacity for taking pains there was no limit in Isabel Lady Burton’s nature; but the labour in producing the figure, after many trying weeks, at last came to an end; and there readily springs to my mind the pathetic picture of her bestowing upon the figure the few final touches, her fingers lingering over the pleats and folds of his robe ere she could declare herself satisfied that the task she had undertaken in helping with the model had been done at her very best. There was one little difficulty, however, that she could not quite surmount. The costume was complete in every respect except one--the sandals he had worn on his hazardous journey to Mecca had become, owing to the wet and heat and the passage of time, mere tinder, and could not be placed upon the figure. The following brief but interesting letter explains how this difficulty was overcome: _67, Baker Street, Portman Square, W., May 22nd, 1894._ DEAR MR. TUSSAUD, I sent you a pair of sandals yesterday belonging to me, but to-day I have had the promise of a pair from the Prior of the Franciscans which would suit much better. I shall send them directly I receive them. Yours sincerely, ISABEL BURTON. The monument at Mortlake, on the Thames, within which now repose the remains of Sir Richard and his wife, consists of a white marble mausoleum, sculptured in the form of an Arab tent, its cost having been partly defrayed by public subscription. CHAPTER XXIX Removal of the Exhibition to the present building--Sleeping “figures”--History of the Portman Rooms--The Cato Street Conspiracy--Baron Grant’s staircase. After fifty prosperous years at the old Baker Street Rooms--now known as the Portman Rooms--it became necessary that Madame Tussaud’s should find more commodious premises to meet the growing popularity of the Exhibition.