The Romance of Madame Tussaud'sTussaud, John Theodore
History
The Romance of Madame Tussaud's
Tussaud, John Theodore
Madame Tussaud and Sons' Exhibition; Tussaud, Marie, 1761-1850; Waxworks
In the Chamber of Horrors he showed from his observations that he was
familiar with the main features of several of the crimes commemorated
there.
I may add that every honour was done the King on that occasion. We had
the public excluded from the Exhibition, and the Siamese National Anthem
was played on his arrival and departure.
The King of Siam’s inspection of the elephant reminds me that, beside the
stuffed monkey which one of the wives of Henry VIII is fondling, the only
animals ever shown in the Exhibition were in the “Tiger Hunt” scene in
question. The tusker was the famous Juno, which was for many years the
King of Burmah’s war elephant.
The Prince of Wales had just mortally wounded a male tiger, and was
about to give the _coup de grace_ to another beast which, unexpectedly
springing from the jungle, had been pinned to the ground by Juno. The
animals were stuffed and staged by the late Mr. Rowland Ward.
When I say that these were the only animals shown in the Exhibition I
mean, of course, dead ones.
Within the past twelve months a monkey that escaped from the Zoo, barely
a mile away, entered the Exhibition by a back window, and was seen in the
act by a crowd of people, who had been amused by its antics outside.
It appears that the monkey, in scurrying through the building, caught
sight of its dead counterpart on the lap of Henry’s Queen, and tried to
attract its attention. Failing in this, the little creature pawed it, and
the result was electrical.
The strangeness of coming unexpectedly in contact with a dead animal
which was thought to be alive seems to have startled the monkey beyond
measure, for it became terrified, and, springing away, went at great
speed to the remotest part of the Exhibition, where it took refuge in one
of the side rooms.
Several visitors, mostly ladies, were in the room at the time, and they
at once made for the door, which was thereupon locked upon the animal.
Meanwhile we had telephoned to the Zoo that one of the monkeys had
escaped and was in the Exhibition.
A keeper arrived shortly afterwards, and said he had missed it from its
cage. Both keeper and monkey were delighted at their reunion. The monkey
had not seemed to trouble much about the figures, which it probably took
for living people, but the dead monkey on the lap of one of them had been
more than it could stand.
CHAPTER XXXI
Queen Victoria’s copperplates--Another Royal Persian
visit--“Perished by fire”--“Viscount Hinton” and his organ--The
Coquette’s jewels lost and found.
In the early part of 1898 we purchased from an enterprising journalist
four interesting copperplates--three of them etched by Queen Victoria and
one by the Prince Consort. Of the four plates, three were done by the
Queen within a year of her marriage.
Although not altogether faultless from an artistic point of view, the
work is most conscientiously executed, showing how painstaking was the
Queen even in comparatively trivial matters.
Public-domain text, read in full here on John Shaqi.
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