The Romance of Madame Tussaud'sTussaud, John Theodore
History
The Romance of Madame Tussaud's
Tussaud, John Theodore
Madame Tussaud and Sons' Exhibition; Tussaud, Marie, 1761-1850; Waxworks
After her marriage Her Majesty found in the Prince Consort a fellow
craftsman, and forthwith a room in Buckingham Palace was fitted up as a
sort of combination studio and workshop. Here, under the guidance and
advice of Sir Edwin Landseer, assisted by Mr. Henry Graves, the fine art
publisher, the young couple worked for two or three hours in the morning.
Nor would the Queen allow any portion of the process to be performed
by an assistant. Even the printing was done either by herself or her
husband, a small press being set up for that especial purpose.
It is understood that portraits of the royal children thus reproduced
are preserved in the print-room at Windsor Castle.
* * * * *
I have already described how the Shah of Persia (Nasr-ed-Din) paid a
private visit to the Exhibition in the year 1873.
I must now relate the circumstances that attended the visit of his son,
Muzafir-ed-Din, who came to this country for the coronation of King
Edward in 1902, thirty years later.
The “Brother of the Sun” came on the 19th of August. He was attended by
the Earl of Kintore and Sir Arthur Hardinge, and I received His Majesty,
while the orchestra played the Persian National Anthem.
The first model he asked to see was that of his late father, but
unfortunately his picturesque parent had disappeared to make room for
more up-to-date people.
The horrible fact of the remelting to cast a possibly much less
distinguished personage could not, of course, be divulged to the
royal visitor. A hint to the entourage was sufficient. “_Perished by
fire--great accidental fire_,” explained Sir Arthur Hardinge with the
aplomb of a true diplomat. “_Big fire_,” echoed the sombre Persians sadly
in their own tongue.
The Shah listened to a description of the models in French and made his
comments in Persian, a course of procedure which was not helpful to those
who would have liked to glean His Majesty’s impressions.
By this time the news that the Shah was in the building had spread, and
the people began to throng around him. It was difficult to say whether
he appreciated the curiosity of the crowd or not. A merry little party
of Japs beamed upon the dusky potentate from the Far East, and the two
extremities of Asia thus metaphorically rubbed shoulders.
The tableau of “Queen Victoria at Home” pleased the Eastern sovereign
most. He looked at it longest.
The scene depicting the Gordon Highlanders storming the Heights of Dargai
also captivated him. The place where the battle was fought was not very
remote from the borders of His Majesty’s dominions, and he was, no
doubt, familiar with the history of the wild tribesmen of the north-west
frontier of India. He was an eager auditor while the Gay Gordons’ feat
was narrated in French and Persian.
Public-domain text, read in full here on John Shaqi.
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