The Romance of Madame Tussaud'sTussaud, John Theodore
History
The Romance of Madame Tussaud's
Tussaud, John Theodore
Madame Tussaud and Sons' Exhibition; Tussaud, Marie, 1761-1850; Waxworks
It appears that “Hinton” went to the Bank of England with the £50 note
we gave him, and, as is customary, he was asked to sign his name. With a
flourish he wrote down “Poulett,” whereupon the cashier said, “Christian
name as well, please.” Hinton drew himself up and said, “We earls always
sign our names like that,” a remark which, doubtless, duly impressed and
abashed the cashier.
In June, 1901, as the Exhibition was closing for the day, several pieces
of jewellery, valued at between 50 and 60 guineas, were discovered to
be missing from the figure of the Old Coquette, facing the model of the
sardonic but courtier-like Voltaire, who is seen raising his hat to her.
The gems had served to adorn the representation of this curious-looking
old dame for a period of more than a century.
As soon as the discovery was made the usual notification was given to the
police. Strange to say, while the detective-officer was in consultation
with us discussing the most likely means of recovering the articles, a
bulky envelope, bearing the mark of the Earl’s Court postal district, was
handed in containing the missing property, with the following short note
enclosed: “Found at Madame Tussaud’s--thrown down.”
CHAPTER XXXII
Royal visitors--King Alphonso and Princess Ena--The late
Emperor Frederick--A penniless trio--Princess Charles--The
Prince of Wales and Prince Albert.
Madame Tussaud’s was one of the last places visited by the King of Spain
and Princess Ena before they left this country for their wedding at
Madrid in May, 1906.
Somehow there seemed to be at the time an atmosphere of anxiety attending
the visit of this vivacious royal couple, and I feel sure this uneasiness
was felt by many who observed them pass freely and jocularly among the
visitors, who were very numerous that afternoon in the Exhibition rooms.
Disquieting rumours had reached this country that an attempt would be
made by certain disaffected ruffians to interfere with their marriage.
Plots and threats of a sinister character were in the air, and, as we all
know, these culminated in a crime of a particularly atrocious nature in
the Spanish capital.
Yet none seemed to be less affected by these disturbing influences than
the young royalties themselves, while I am quite certain neither of them
was acting a part. They were simply as happy as a bride and bridegroom
ought to be who were counting the days till they should be united.
The young King took a positive delight in moving among the visitors, and
none was less self-conscious than he. I was amused to find him bubbling
over with fun and frolic standing in front of his own portrait.
Then he did the thing one almost expected he would do. To the amusement
of all beholders he exclaimed, “Let me shake hands with myself,” suiting
the action to the words, and laughing heartily with his bride and her
friends. It is for traits like this that King Alphonso enjoys popularity
wherever he goes.
Public-domain text, read in full here on John Shaqi.
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