The Romance of Madame Tussaud'sTussaud, John Theodore
History
The Romance of Madame Tussaud's
Tussaud, John Theodore
Madame Tussaud and Sons' Exhibition; Tussaud, Marie, 1761-1850; Waxworks
The visit passed off happily, and I for one felt somewhat relieved when
they had taken their departure without molestation, although I had no
tangible reason to harbour the doubts that possessed me.
On returning to this country soon after the tragic accompaniments of
their marriage, the light-hearted young King took an early opportunity
of revisiting the Exhibition, and in passing gave a familiar nod of
recognition at his own portrait, as one might salute an acquaintance in
the street.
He roamed about the place in the least ostentatious way, and took a
noticeably keen interest in the figure of the great Duke of Wellington,
who, among his numerous foreign honours, received the titles of Duque de
Ciudad Rodrigo and a Grandee of the first class, 1812--titles granted by
predecessors of King Alphonso on the Spanish throne. As was the case with
the King of Spain and his bride, members of the Royal Family on numerous
occasions have paid their shillings and gone in “with the crowd,” their
object being to stroll round without having to undergo the worry of a
“reception” and its attendant red baize and “blowing of trumpets.”
* * * * *
Soon after his marriage with our then Princess Royal, the late Emperor
Frederick of Germany, who was at that time Prince Frederick of Prussia,
decided to pay us a visit. This was rather more than fifty years ago.
Hearing of his intention, my father decided to withdraw his figure,
deeming it to be too youthful and out-of-date to bear a favourable
comparison with its living counterpart--a severe test for even the best
of portraits.
When the Prince arrived it appeared that he had come with the main object
of inspecting his own model, for he had not been long in the place before
he exclaimed, “Where is my figure?”
This was a question that rather nonplussed the member of my family who
had undertaken to cicerone His Royal Highness through the Exhibition.
There was nothing for it but to make the plain, straightforward admission
that it had only just been removed, and to give the reason for this
having been done.
Notwithstanding this, the Prince’s request to view the portrait was
reiterated, and he was so emphatic and persistent that there was nothing
to be done but to replace the figure before his very eyes.
It was a strange proceeding, that of having to withdraw the model from
the side room into which it had been removed, to march it through the
spacious galleries with the Prince amusedly looking on the while, and
ultimately to dump it down in its old place among the figures in our big
royal group.
The Prince, with great good-humour, scanned it with a lenient eye, and
pronounced it to be by no means a portrait of which anyone need be
ashamed; in fact, he appeared quite pleased with it, and when he left
the Exhibition he seemed to be highly delighted with his unique and
interesting experience.
* * * * *
Public-domain text, read in full here on John Shaqi.
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