The Romance of Madame Tussaud'sTussaud, John Theodore
History
The Romance of Madame Tussaud's
Tussaud, John Theodore
Madame Tussaud and Sons' Exhibition; Tussaud, Marie, 1761-1850; Waxworks
London was frequently visited by him, and he became an intimate friend
of the Prince of Wales, afterwards George IV. He infected young France
with Anglomania in the form of horse-racing and hard drinking, and made
himself popular among the lower classes by profuse charity.
In 1787 he showed his liberalism boldly against the King, and as the
States-General drew near he lavished his wealth in flooding France with
seditious books and papers. In the following year he promulgated his
_Délibérations_, written by Laclos, to the effect that the Third Estate
was the nation; and in June, 1789--the month that preceded the fall of
the Bastille--he led the forty-seven nobles who seceded from their own
order to join that Estate.
The Duke presumed to become constitutional King of France, or at least
Regent; but he was only a comparatively small fragment that drifted into
the vortex of the Revolution itself. In 1792, when all hereditary titles
were swept away, this “citizen” adopted the name of Philippe Égalité.
He was the twentieth Deputy for Paris in the National Convention, and
voted for the death of the King; but in the following year retribution
overtook him, for he himself was found guilty of conspiracy and
guillotined.
The public distrust of the King’s party, the fatal error in bringing the
foreign troops to Paris and its environs, and, finally, the banishment of
Necker and the Duke of Orléans, the great champions of the people, must
be regarded as the immediate cause of the catastrophe that followed.
CHAPTER VI
Madame Tussaud recalled from Versailles--The 12th of July,
1789--Busts taken from Curtius’s Exhibition--A Garde Française
slain in the mêlée.
It must be remembered that the “romance” of Madame Tussaud’s began in the
French capital one hundred and fifty years ago.
As we view to-day the quaint little figure of Madame which stands in the
Exhibition she helped to found in France and established in this country,
we must imagine her in the full vigour of her young womanhood, sensible
to the dangers and terrors of the Revolution in which she was about to be
involved. The Exhibition was as yet in its infancy; but stirring times
were approaching, and the days were pregnant with meaning for the France
that was to be--a time of bloodshed and grim ruthlessness born of a
people’s desire for freedom, and attended by ghastly scenes in Paris that
revealed the extremities to which unbridled human passions could go.
We must see through her eyes the sights that marked the red dawn of the
French Revolution; and hear the first low rumble that gave warning of the
approach of the Reign of Terror. Her uncle recalled her from the Court of
Versailles, an order that he might afford her his protection, and she
did not leave a whit too soon.
Now we come to the fateful days of July.
Public-domain text, read in full here on John Shaqi.
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