The Romance of Madame Tussaud'sTussaud, John Theodore
History
The Romance of Madame Tussaud's
Tussaud, John Theodore
Madame Tussaud and Sons' Exhibition; Tussaud, Marie, 1761-1850; Waxworks
Then it was suggested that the models of Necker and the Duke of Orléans
should be obtained from Curtius’s Museum. The idea was quickly seized
upon, and the crowd rushed _en masse_ to the Exhibition rooms on the
Boulevard du Temple, where they demanded the busts of the “friends of
the people.” They also asked for the model of the King, a request that
was refused by Curtius, who observed that as the full-length figure was
extremely heavy it would be “broken” if carried. This reply pleased the
people, who clapped their hands and shouted “Bravo, Curtius, bravo!”
[Illustration: M. NECKER
Director-General of Finance under Louis XVI, whose bust, taken from
Curtius’s exhibit by the mob, was carried through the streets of Paris to
fan the flame of revolution.]
Deeming it imprudent not to respond to the public clamour, Curtius
relinquished the busts of the two public idols; and as soon as they had
gained possession of them the mob shouted “Long live Necker!” “Long live
the Duke of Orléans!” and “Down with the foreign troops!”
As an expression of grief at the loss of their favourites they covered
the busts with crape. Then, elevating them upon pedestals, they carried
them through the streets of Paris in triumph.
On rolled the procession through the Rue de Richelieu, the Boulevard, the
streets of St. Martin, St. Denis, and St. Honoré, increasing in numbers
at every step, among them men of the Garde Française, till it came to the
Place Vendôme, where the busts were carried twice round the statue of
Louis XIV. _En route_ the crowd obliged all they met to take off their
hats in honour of the men the busts represented. By the time the great
throng reached the Place Vendôme it had become 5,000 or 6,000 strong.
Here a detachment of royal troops came up, and vainly attempted to
disperse the mob. The crowd pelted the soldiers with stones, and, having
put them to flight, proceeded to the Place Louis XV, where they were
assailed by the German troops of the Prince de Lambesc. The cavalry
charged the mob with drawn sabres, and the bearers of the busts were
thrown down beneath their burdens.
Again and again they were raised, only to fall once more. The figure of
Necker was cleft asunder by a soldier of the Royal German Regiment. A man
named Pepin, a hawker of articles of drapery, was wounded by a bullet in
the leg, and fell by the side of the broken figure. That representing the
Duke of Orléans escaped destruction; but a member of the Civic Guard,
while endeavouring to protect it, lost his life, and several other
persons were wounded in attempting to assist him. It was the first blood
shed in the Revolution, which may thus be regarded as having broken out
at the very doors of the Exhibition in Paris.
Thomas Carlyle gives, in his _French Revolution_, the following
characteristic account of the incident:
TO ARMS!
Sunday, 12th July, 1789.
Public-domain text, read in full here on John Shaqi.
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