The Romance of Madame Tussaud'sTussaud, John Theodore
History
The Romance of Madame Tussaud's
Tussaud, John Theodore
Madame Tussaud and Sons' Exhibition; Tussaud, Marie, 1761-1850; Waxworks
The axles are curiously primitive--simple nut-axles used from time
immemorial--the wheels being held in position by means of strong rough
iron nuts screwed on at the extremity of the axle arms and further
secured by a pin passed through a hole at the end of them. Strangely
enough, the axle-ends are absolutely devoid of caps.
Behind on the foot-stage, or rumble, there still rests, as on the day
the vehicle was taken, the odd-looking and spacious shoe-shaped trunk
in which so many articles of apparel belonging to Napoleon were found.
This is doubtless the source from which have flowed during the past
century not a few genuine, but also numberless doubtful, belongings
attributed to the great Napoleon which have been offered for sale under
the “incontestable” sworn testimony of so many irresponsible and illusive
authorities as having been found in Napoleon’s carriage captured at
Waterloo.
The four black square metal lamps fixed in a rough-and-ready way
with iron rods to the corners of the coach have a simple and quaint
appearance, but otherwise have little about them to call for comment.
They have been made to take large wax candles, and have the usual spring
sockets to hold them.
CHAPTER XV
Description of the Waterloo carriage (_continued_)--Its
interior and peculiar contrivances--Brought to England and
exhibited at the London Museum.
[Illustration: NAPOLEON’S MILITARY CARRIAGE
The interior.]
The interior of the carriage is even more interesting than the exterior.
Glancing within, we immediately find ourselves in closer touch with
things personal to the great Emperor.
We find therein provision for a couple of passengers only. Here are two
deep and roomy seats, divided by a tall movable arm-rest, offering the
occupants unusual freedom and comfort. Confronting these seats, set high
up on the front of the vehicle, are a pair of windows affording each
traveller a full view of the driver and of the road and country beyond.
Beneath these are displayed those objects of interest which have so
readily engrossed the attention of many millions of visitors who, during
the century past, have been moved to inspect the carriage.
Opposite to that seat usually occupied by Napoleon--that is to say, the
one on the offside, following our rule of the road--there hangs a brass
handle which is apparently attached merely to a simple shallow drawer.
An easy pull at this reveals a strong and well-appointed writing-desk,
capable of being withdrawn far out of its recess. This action, with
the aid of a writing-slope that unfolds from the top, enables the desk
to span the space between the front of the carriage and the seat, thus
giving to its occupant all the facility and convenience desirable for
carrying on a correspondence at leisure.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account