In their earliest apparatus the inventors attached the paper to the circumference of a vertical cylinder, which revolved at an even pace on an axle, furnished at the lower end with a screw thread, so that the portion of paper affected by the light occupied a spiral path from top to bottom of the cylinder. In a later edition, however, an endless band of sensitised paper is employed, and the lamp is screened from the mirror by a horizontal mantle in which is cut a helical slit making one complete turn of the cylinder in its length. The mantle is rotated in unison with the machinery driving the sensitised band; and as it revolves, the spot at which the light from the filament can pass through the slit to the mirror is constantly shifting from right to left, and the point at which the reflected light from the mirror strikes the sensitised paper from left to right. At the moment when a line is finished, the right extremity of the mantle begins to pass light again, and the bright spot of light recommences its work at the left edge of the band, which has now moved on a space. The movements of the mirror backwards and forwards produce on the paper a zigzag tracing known as syphon-writing. The record, which is continuous from side to side of the band, is a series of zigzag up-and-down strokes, corresponding to the dots and dashes of the Morse alphabet. The apparatus for transmitting longhand characters is more complicated than that just described. Two telephones are now used, and the punched tape has in it five rows of perforations. If we take a copy-book and examine the letters, we shall see that they all occupy one, two, or three bands of space. For instance, _a_, between the lines, occupies one band; _g_, two bands; and _f_, three. In forming letters, the movements of the fingers trace curves and straight lines, the curves being the resultants of combined horizontal and vertical movements. Messrs. Pollak and Virag, in order to produce curves, were obliged to add a second telephone, furnished also with a metal bar joined to the mirror, which rests on three points instead of on two. One of these points is fixed, the other two represent the ends of the two diaphragm bars, which move the mirror vertically and horizontally respectively, either separately or simultaneously. A word about the punched paper before going further. It contains, as we have said, five rows of perforations. The top three of these are concerned only with the up-and-down strokes of the letters, the bottom two with the cross strokes. When a hole of one set is acting in unison with a hole of the other set a composite movement or curve results.