Other colour names of French origin are Morel, swarthy, like a Moor,
also found as Murrell [Footnote: This, like Merrill, is sometimes from
Muriel.]; and Burnell, Burnett, dims. of brun, brown. Chaucer speaks
of--
"Daun Burnet the asse" (B, 4502);
[Footnote: Lat. dominus; the masculine form of dame in Old French.]
"Daun Russel the fox" (B, 4524.)
But both Burnell and Burnett may also be local from places ending in
-hill and -head (), and Burnett is sometimes for Burnard. The same
applies to Burrell, usually taken to be from Mid. Eng. borel, a rough
material, Old Fr. burel (bureau), also used metaphorically in the
sense of plain, uneducated
"And moore we seen of Cristes secree thynges
Than burel folk, al though they weren kynges."
(D, 1871.)
The name can equally well be the local Burhill or Burwell.
Murray is too common to be referred entirely to the Scottish name and
is sometimes for murrey, dark red (Fr. mure, mulberry). It may also
represent merry, in its variant form murie, which is Mid. English, and
not, as might appear, Amurrican--
"His murie men comanded he
To make hym bothe game and glee."
(B, 2029.)
Pook, of uncertain origin, is supposed to have been a dark russet
colour. Bayard, a derivative of bay, was the name of several famous
war-horses. Cf. Blank and Blanchard. The name Soar is from the Old
French adjective sor, bright yellow. It is of Germanic origin and
cognate with sere.
The dim. Sorrel may be a colour name, but it was applied in venery to
a buck in the third year, of course in reference to colour; and some
of our names, e.g. Brocket and Prickett, [Footnote: Both words are
connected with the spiky young horns, Fr. broche, spit, being applied
in venery to the pointed horns of the second year.] both applied to a
two-year-old stag, must sometimes be referred to this important
department of medieval language. Holofernes uses some of these terms
in his idiotic verses
"The preyful princess pierc'd and prick'd a pretty pleasing priket;
Some say a sore; but not a sore, till now made sore with shooting.
The dogs did yell; put l to sore, then sorel jumps from thicket."
(Love's Labour's Lost, iv. 2.)
Public-domain text, read in full here on John Shaqi.
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