I do not intend to deliver a discourse on the drama, and shall avoid adopting the style of the countless romances of theatrical life, especially as--apart from the external differences caused by the changed methods of travel--the lives of these strolling players have remained essentially the same since the days of Wilhelm Meister. Besides, they are perfectly familiar to the world in general and possess little interest. Only, for truth's sake, I must observe that the "renowned" Spielberg company did honor to their name. Spite of inadequate accessories and acting, the wonderful drama created by a classically poetic imagination, still under the influence of romance, exerted a fascination which even the lachrymose specter of Madame Selmar, and the hypochondriacal, sepulchral tones of her husband, who played Count Idenko von Borotin, could not destroy. Spielberg was a superb Jaromir, and I now understood that his fervent chest-voice might irresistibly charm the heart of a girl of twenty. In the scenes with Bertha particularly--whose character, as personated by Fraeulein Victorine, had a touch of witchery--his tones possessed a pathos that brought storms of applause from the audience which, however, on appearing before the foot-lights, he acknowledged--as became so great an artist--with merely a quiet bend of the head. During the performance his eye had discovered me in my dark corner, and ere he left the stage he made a significant gesture as if to say, "I expect to meet you again." But this was by no means agreeable to me. I only hated him the more because he had extorted from me some degree of admiration; besides, I longed to be alone in order to determine whether to go or stay. So I let the audience quit the hall, that I might not be accosted, with provincial courtesy, by any of the inhabitants who chanced to notice that I was a stranger, and was the last of all to emerge into the open air. It was a beautiful star-lit summer night, warm and still; the only sound was the patter of the heavy dew trickling from the branches of the trees in the Schuetzen Park. I paused outside, enjoying the same sense of comfort we have while awake in bed between two dreams, in the consciousness that we are still enjoying our bodily existence. Only the day before yesterday I had been sitting on the bench in the parsonage garden, beside the dear sensitive girl from whom the sudden outburst of the flame of a hapless attachment had driven me, and to-day I was here amid these totally unfamiliar surroundings, with the old fire once more burning beneath the ashes, and must again save myself by flight if I were not to perish utterly.