The Romance of the Canoness: A Life-HistoryHeyse, Paul
General
The Romance of the Canoness: A Life-History
Heyse, Paul
German fiction -- Translations into English
They had drunk several glasses when Daniel began to boast of his talent
for imitating living persons, and instantly gave several proofs of this
ability by copying the voice and gestures of the landlord and some of
the regular guests, to the delight of the whole company. Spielberg
alone had sat in his heroic grandeur, looking on with an air of
contemptuous dignity, and finally remarked that such monkey tricks,
which dazzled the public, were easy, and besides found their limits in
certain figures whose majesty rendered them, as it were, unapproachable
for mimicry. Did he include himself among them? the insolent fellow
asked, and, when the great man nodded silently, he laid a wager that he
would personate him so exactly that he would hardly know whether it was
himself or his double. They ordered a bottle of champagne, and then
Daniel led the manager into the next room. After a short time the door
opened again, and Spielberg strode in. Everybody asked whether Daniel
was not ready or had given up his wager. "That young man promises much,
and does nothing save to make fools of honest Thebans," was the reply,
after which he approached the table with his stately walk, shook the
bottle in the ice and exclaimed: "A plague on all cowardly poltroons!"
Then they first discovered that it was Daniel, and not the great actor
himself, and even then it was only the little hand he owes to his
Polish blood that betrayed him. But, just as there was a general burst
of applause and laughter, the door again opened and a second Daniel
appeared, in a gray summer suit and Polish cap, with his cat-like tread
and feminine movement of the hips, so that the uproar and clapping of
hands grew louder than ever--for nobody had ever imagined the manager
possessed such a talent. This, however, was merely the beginning of the
farce. Each continued to play the character of the other: Daniel in the
belaced velvet coat, with straw hat pulled over his forehead, toasted
his image, amid constant quotations uttered in his resonant voice, and
Spielberg, with all the Harlequin tricks the other was in the habit of
using on the stage, never let the laughers stop to take breath, so that
each of the two had won and lost the wager. But, when they had broken
the neck of the second bottle, Daniel suddenly became silent, went to
Spielberg, and whispered something which made the manager look puzzled.
But his double seized his arm and led him out. When after a long time
they did not return, we asked for them, and the waiter said that after
whispering together for some time the two gentlemen had left the hotel
arm in arm.
I do not know why I could not laugh at this amusing trick. But I
hastily took leave of the two actors, whose room was on the top floor
of the hotel, and, in a most uncomfortable mood, passed out into the
street just as the clock in the nearest church-steeple struck eleven.
Though I felt no inclination to sleep, a strange anxiety urged me
homeward, as if I were expected there.
Public-domain text, read in full here on John Shaqi.
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