The Romance of the Canoness: A Life-HistoryHeyse, Paul
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The Romance of the Canoness: A Life-History
Heyse, Paul
German fiction -- Translations into English
Conspicuous among all the figures which glided past me, as if in a
spectral chase, staring at me with questioning eyes, was one which
at last, when the other ghosts had vanished, remained standing before
me--a slender girl with tawny hair and brown eyes, whose gaze rested on
me so indifferently that my vain soul grew more and more insulted and
angry, yet without being able to turn my thoughts from her. I said to
myself that if this one woman did not dwell under the same roof I
should be as contented here as though I were in Abraham's bosom. Then I
wondered whether she had gone to rest, and imagined that she was even
now thinking of me with a scornful curl of her lips, which idea
strengthened my hostility still more. To calm myself, I lighted a long
pipe and paced up and down the carpetless floor of my room, thinking of
the sermon I was to preach on the following Sunday, and in which I
meant to say all sorts of offensive things to the arrogant creature's
face. Yet I possessed sufficient good-breeding to remove my squeaking
boots and put on the soft slippers my good aunt had given me as a
parting present.
I was just going to shut the window, for I was beginning to shiver,
when a low melody rose below me, to which I listened intently. My
little talent for music, as I first learned long after, was at that
time the best and most genuine quality I possessed. So, at the first
notes, I knew that the pure alto voice beneath me was no ordinary one,
but issued from a thoroughly musical nature. But the piano on which the
singer accompanied herself appeared to be a worn-out, tuneless old box,
and she made the least possible use of it. I did not know what she was
singing, but it seemed to me a magnificent piece by some great master,
and I went close to the window that I might not lose a note. I
afterward discovered that it was an aria from Gluck's "Orpheus."
This solitary nocturnal singing, which could proceed from no other lips
than those of the Canoness, instantly disarmed me. It sounded very
subdued; Fraeulein Leopoldine slept in the next room, and must not be
disturbed. But this _mezza voce_, in its melancholy gentleness,
contradicted everything I had imagined of the singer's nature. It was
like the lament of a proud, free soul, that disdains to impart its
grief to any one, and only in a secret soliloquy makes the moon and the
night its confidants.
When the singing ceased, it was long ere I could resolve to seek my
bed. I still waited to learn whether it would begin again. Midnight had
passed when I at last shut my window, and, absorbed in thought,
prepared to seek repose.
* * * * *
Yet I was up very early, and had much difficulty in persuading my
pupil, who had hitherto slept below next his mamma's room, to leave his
bed, as among other bad habits he had been accustomed to stretching and
turning lazily on his couch in the morning.
Public-domain text, read in full here on John Shaqi.
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