They passed on to a suit of apartments resembling the first they had seen, and expressed their surprise at the incongruous appearance of this part of the edifice with the mouldering walls they had left behind. These apartments conducted them to a winding passage, that received light and air through narrow cavities placed high in the wall; and was at length closed by a door barred with iron, which being with some difficulty opened, they entered a vaulted room. La Motte surveyed it with a scrutinizing eye, and endeavoured to conjecture for what purpose it had been guarded by a door of such strength; but he saw little within to assist his curiosity. The room appeared to have been built in modern times upon a Gothic plan. Adeline approached a large window that formed a kind of recess raised by one step over the level of the floor; she observed to La Motte that the whole floor was inlaid with Mosaic work; which drew from him a remark, that the style of this apartment was not strictly Gothic. He passed on to a door which appeared on the opposite side of the apartment, and, unlocking it, found himself in the great ball by which he had entered the fabric. He now perceived, what the gloom had before concealed, a spiral staircase which led to a gallery above, and which, from its present condition, seemed to have been built with the more modern part of the fabric, though this also affected the Gothic mode of architecture: La Motte had little doubt that these stairs led to apartments corresponding with those he had passed below, and hesitated whether to explore them; but the entreaties of Madame, who was much fatigued, prevailed with him to defer all further examination. After some deliberation in which of the rooms they should pass the night, they determined to return to that which opened from the tower.