The Romance of the Forest, interspersed with some pieces of poetry. — John Shaqi
The Romance of the Forest, interspersed with some pieces of poetry.Radcliffe, Ann Ward
General
The Romance of the Forest, interspersed with some pieces of poetry.
Radcliffe, Ann Ward
Gothic fiction
La Motte immediately gave a short relation of what passed at the house,
including an account of the manner in which the young stranger had been
introduced to him. During this narrative, her deep convulsive sighs
frequently drew the attention of Madame La Motte, whose compassion
became gradually interested in her behalf, and who now endeavoured to
tranquillize her spirits. The unhappy girl answered her kindness in
artless and simple expressions, and then relapsed into tears and
silence. Madame forbore for the present to ask any questions that might
lead to a discovery of her connexions, or seem to require an explanation
of the late adventure, which now furnishing her with a new subject of
reflection, the sense of her own misfortunes pressed less heavily upon
her mind. The distress of La Motte was even for a while suspended; he
ruminated on the late scene, and it appeared like a vision, or one of
those improbable fictions that sometimes are exhibited in a romance: he
could reduce it to no principles of probability, nor render it
comprehensible by any endeavour to analyze it. The present charge, and
the chance of future trouble brought upon him by this adventure,
occasioned some dissatisfaction; but the beauty and seeming innocence of
Adeline united with the pleadings of humanity in her favor, and he
determined to protect her.
The tumult of emotions which had passed in the bosom of Adeline began
now to subside; terror was softened into anxiety, and despair into
grief. The sympathy so evident in the manners of her companions,
particularly in those of Madame La Motte, soothed her heart, and
encouraged her to hope for better days.
Dismally and silently the night passed on, for the minds of the
travellers were too much occupied by their several sufferings to admit
of conversation.
The dawn, so anxiously watched for, at length appeared, and introduced
the strangers more fully to each other. Adeline derived comfort from the
looks of Madame La Motte, who gazed frequently and attentively at her,
and thought she had seldom seen a countenance so interesting, or a form
so striking. The languor of sorrow threw a melancholy grace upon her
features, that appealed immediately to the heart; and there was a
penetrating sweetness in her blue eyes, which indicated an intelligent
and amiable mind.
Public-domain text, read in full here on John Shaqi.
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