I recalled her volubility of speech when I first met her, and her
impassioned song, by which she won for her mistress the acknowledgment
of a deep and undying love; and I asked myself the question over and
over again, "Is it possible that she can be acting?" At a signal, an
alarm-gong was struck, and so suddenly and immediately behind her that
the whole assembly started, and May-Peâh, taken by surprise, turned to
see whence the sound came. "Now," shouted the wily judges, "it is plain
that you can speak, for you are not deaf."
No sooner was this said than the feeling against the accused ran high,
on account of her obstinacy, and she was forthwith condemned to all
the tortures of the rack. But the humane yogi, on hearing this, raised
his bare arms on high, and uttered the wild cry of "Yah" (forbear) so
commandingly that it rang through the temple, and arrested the cruel
process.
He then turned to the poor girl, and, placing his huge, bony hands upon
her shoulders, tenderly whispered in her ear something which seemed
to move the prisoner for she raised her burning eyes, now filled with
tears, to his face, and, shaking her head solemnly and sadly to and
fro, laid her finger on her mouth to indicate that she could not speak.
A tender light kindled the dark face of the yogi, as he informed the
assembly that "the woman was not a witch, nor even obstinate, but
powerless to speak, because under the influence of witchcraft."
The tide of feeling was again turned in the prisoner's favor. "Let
her be exorcised," said the chief judge of the Supreme Court, whose
secretary was making minutes of all that took place during the trial.
On which the queerest-looking woman of the party, an old and toothless
dame, drew out a key from her girdle and opened the wooden boxes,
from which she took a small boat, a sort of coracle,[39]--such as are
still found in some parts of Wales, made by covering a wicker frame
with leather,--a long gray veil of singular texture, an earthen stove,
whereon to kindle a charcoal fire, and some charcoal; out of the second
box she produced some herbs, pieces of flint, cast skins of snakes,
feathers, the hair of various animals, with dead men's bones, short
brooms, and a host of other queer things.
At any other time I should have been highly amused at the grotesqueness
of the figure, and the comically ludicrous manner in which she drew,
one after another, her mysterious ingredients out of her boxes; but now
I was too anxious, and too much pained by the situation of May-Peâh,
and by what seemed to me diabolical jugglery, to think of the comical
side of the scene.
Public-domain text, read in full here on John Shaqi.
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