With the charcoal the old woman proceeded to light a fire in her
earthen stove; when it was red-hot she opened several jars of water,
and, muttering some strange incantations, threw into them portions of
her herbs, repeating over each a mystic spell, and waving a curious
wand which looked like a human bone, and might have been once the arm
of a stalwart man. This done, she seated the prisoner in the centre
of the motley group, covered her over with the veil of gray stuff,
and handing the short hand-brooms to a number of her set, she, to my
intense horror, began to pour the burning charcoal over the veiled
form of the prisoner, which the other women, dancing around, and
repeating with the wildest gestures the name of Brahma, as rapidly
swept off. This was done without even singeing the veil or burning a
hair of May-Peâh's head. After this they emptied the jars of water upon
her, still repeating the name of Brahma. She was then made to change
her clothes for an entirely new dress, of the Brahminical fashion.
Her dressing and undressing were effected with great skill, without
disclosing her person in the least. And once more the yogi laid his
hands upon her shoulders, and whispered again in her ears, first the
right, and then the left. But May-Peâh returned the same intimation,
shaking her head, and pointing to her sealed lips.
Then the old wizard, Khoon P'hikhat,--literally, the lord who drives
out the devil,--prostrated himself before her, and prayed with a wild
energy of manner; and, rising suddenly, he peremptorily demanded,
looking full into the prisoner's face, "Where did you drop the bunch of
keys?"
The glaring daylight illuminated with a pale lustre the fine face of
the Laotian slave, as for the third time she moved her head, in solemn
intimation that she could not or would not speak.
To see her thus, no one would believe but that, if she willed, she
could speak at once.
"Open her mouth, and pour some of the magic water into it," suggested
one of the "wise women."
But they who opened her mouth fell back with horror, and cried,
"Brahma, Brahma! an evil fiend has torn out her tongue." And
immediately the unhappy woman passed from being an object of fear and
dread to one of tender commiseration, of pity, and even of adoration.
So sudden was the transition from fear and hate to love and pity, that
many of the strong men and women wept outright at the thought of the
dreadful mutilation that the fiend had subjected her to.
Now came the last and most important question, "Was the exorcism
effectual?" To prove which a small taper was lighted and put into
the witches' boat; and the whole company betook themselves to the
borders of the stream to see it launched. The boat swept gallantly
down the waters, and the feeble lamp burned brightly, without even a
flicker,--for it was a calm day,--till it was brought to a stand by
some stones that were strewn across the stream.
Public-domain text, read in full here on John Shaqi.
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