The Romance of the Microscope: An interesting description of its uses in all branches of science, industry, agriculture, and in the detection of crime, with a short account of its origin, history, and developmentEaland, C. A. (Charles Aubrey)
History
The Romance of the Microscope: An interesting description of its uses in all branches of science, industry, agriculture, and in the detection of crime, with a short account of its origin, history, and development
Ealand, C. A. (Charles Aubrey)
Microscopes; Microscopy
Many of the objects we have described in our pages were described and
illustrated by Hooke more than two hundred years ago. The sea mat,
despite his accurate observations, he mistook for a seaweed, as many
later naturalists have done. The stinging hairs of nettle he made
out in every detail. Fish scales, bee stings and birds’ feathers all
came under his notice. The foot of a fly he described with wonderful
accuracy; the scales of a butterfly’s wing and the head of a fly were
all studied and described in detail. On the life history of the gnat
he made many blunders, but he saved his reputation by remarkable
observations upon the _Chelifer_, a curious parasite of the fly which
we mention in our pages, and upon the silver fish, a little creature
which frequents sugar and starch. Neither of these organisms had been
described before. Fleas, lice, vinegar-eels and spiders were also
studied by this indefatigable worker, a worthy collection indeed, but
Hooke, like others of his time, was an observer first and foremost. As
a methodical, scientific worker he was of little account.
Living about the same time as Hooke, the celebrated Italian, Malpighi,
laid the foundations of much of our present-day knowledge of plant
structure. Various romantic stories have been told concerning certain
imaginary events which led Malpighi to take up the study of plant
structure, but the scientist himself refuted these picturesque stories.
Suffice it to say that his book on the subject, _Anatome Plantarum_,
though imperfect in many respects and, as might be conjectured
in so early a work, often inaccurate, contains a large number of
astonishingly good drawings; many of the original drawings, by the way,
executed in red chalk, are in the possession of the Royal Society.
Public-domain text, read in full here on John Shaqi.
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