By the year 1824 Alexander had fallen into so morbid a state that he
spoke of resigning. He wept over his Bible and wondered if his sins were
not the curse of Russia. Even his domestic life was a burden. He had
married a Princess of Baden, and her lack of good looks was not redeemed
by any other charm except the cold adornments of virtue and piety. She
dressed dowdily, and she generally presented at his board a face as
melancholy as her creed. For many years Alexander had lived apart from
her, and he had no children. The genial dignity and self-esteem of his
earlier years broke down altogether. His next brother, Constantine, had
made a morganatic marriage, and forfeited the throne, and Alexander
distrusted the third brother, Nicholas. Alexander slowly and sadly
drifted toward the grave. His courtiers discovered a plot against the
autocracy, but he would do nothing. He died on December 1st, 1825: a
high-minded, well-meaning man, too little endowed in intellect and
strength of will to solve the mighty problems which were raised by his
own ideals.
CHAPTER XIII
THE FIGHT AGAINST LIBERALISM
ON an earlier page I remarked that the element of romance passed out of
the story of the Romanoffs with the last lovers of Catherine and the
murder of Paul. This is true of what we may call personal romance, but
it will have been apparent that a larger, impersonal romance now opens.
Not individual Romanoffs, but the Romanoff dynasty, must fight for
existence. Life at court is now too earnest for bibulous companions of
monarchs, and handsome lovers of queens, and plots of the anteroom. The
comedy is over; if one may call a comedy the enthronement of a selfish
and profligate monarchy upon the poverty and ignorance of millions of
human beings. The play now assumes the sombre note of tragedy. The
people, represented by a few of the educated few, begin to awaken and
claim their rights. The rest of the story is a ghastly record of the
efforts of the Romanoffs to prevent the spread of that awakening.
Public-domain text, read in full here on John Shaqi.
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