But we may see her influence especially in the growing splendour and
despotism of the Moscovite court. Bred in the sacred palace by the
Bosphorus, where there still lingered, until the Turk came, some remains
of the most imposing court of the old world, she was made impatient by
the thin coat of gilt which covered the Russian barbarism. Accustomed to
a city of marble palaces, with walls of mosaic or porphyry, with bronze
gates guarded by hundreds of silk-clad servants, and gold and silver
vessels so heavy that they had to be lifted on to the tables by
mechanical devices, she knew how to use the increasing wealth of her
husband’s kingdom. He was now the successor of Constantine and the Roman
Emperors. The two-headed eagle, which had been the blatant emblem of
Greek vanity, passed with the hand of Sophia to Moscow, and was
emblazoned on the banners and plate of the new dynasty. Ivan did not
take the title of “Tsar.” His grandson would complete his work.
Sophia invited to her court Greek scholars and Italian architects and
engineers, and the splendour of Moscow soon became so famous that its
prince corresponded with Popes and Sultans, Kings of Sweden, Denmark,
Hungary, and Austria, and even with the Grand Mogul of India. Italy was
at that time in the flush of the Renaissance, and much of its colour,
and of the less manly art of the Byzantinians, was brought to Moscow.
Whatever one may think of the religious quarrel, it can hardly be
doubted that the civilisation of Russia would have gained by submission
to Rome. The Papacy was then enjoying that period of artistic license
which provoked the Reformation, and probably Russia would have joined
the Reformers. By its severance from Rome it maintained a barrier
against the west, where civilisation was making rapid progress, and
prolonged the inferior culture and conservative influence of the late
Greek empire. The glory of the new Russia was but a coat of paint upon
barbarism.
In the court the oppressive servility and childish pageantry of the
Byzantine palace were encouraged. Golden mechanical lions barked before
a golden throne, as they had done at Constantinople, and filled the
visitor with mingled admiration and disdain. A very numerous guard of
nobles, in high white fur caps and long caftans of white satin, with
heavy silver axes on their shoulders, protected the sacred person of the
monarch, and crowds of courtiers in cloth of gold or bright silk, with
costly necklaces round their necks, vied with each other in flattery of
speech and humility of demeanour. Yet these glittering aristocrats still
carried a spoon in their jewelled girdles, for knives and forks were not
yet substituted for fingers at a Russian feast.
Public-domain text, read in full here on John Shaqi.
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